伊丽莎白和她的最爱:布里托玛特、弗洛里梅尔和奥拉姆的支离破碎的历史人物概念

Q1 Arts and Humanities
Spenser Studies Pub Date : 2020-01-01 DOI:10.1086/706542
Donald V. Stump
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引用次数: 2

摘要

试图将《仙后》中的人物与伊丽莎白宫廷中的男男女女区分开来是有问题的。威廉·奥拉姆将蒂米亚斯和贝尔菲比作为罗利和女王的角色,在他的作品中,斯宾塞通过将历史人物分解成多个角色,探讨了他感兴趣的心理、道德或政治问题,为斯宾塞提供了一个模型。本文探讨了伊丽莎白的这种分裂,分为Britomart, Florimell和她邪恶的双胞胎,Snowy Florimell,将Oram对Timias的研究扩展到包括莱斯特,哈顿和埃塞克斯。在萨提拉尼和马里内尔的比赛中,斯宾塞的寓言探索了激发和挫败性欲的危险,认为伊丽莎白用宫廷和彼得拉克式的爱来享受没有性的亲密,这导致了背叛和对国家的危险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Elizabeth and Her Favorites: Britomart, Florimell, and Oram’s Concept of Fragmented Historical Persons
Attempts to identify figures in The Faerie Queene with men and women in Elizabeth’s court have proved problematic. In his work on Timias and Belphoebe as figures for Ralegh and the queen, William Oram provides a model in which Spenser explores psychological, moral, or political issues that interested him by fragmenting historical persons into more than one character. This article explores such fragmentation of Elizabeth into Britomart, Florimell, and her evil twin, the Snowy Florimell, extending Oram’s work on Timias to include Leicester, Hatton, and Essex. In the tournaments of Satyrane and Marinell, Spenser’s allegory explores the dangers of arousing and frustrating erotic desire, arguing that Elizabeth’s use of courtly and Petrarchan love as a way to enjoy intimacy without sex led to betrayal and danger to the state.
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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