{"title":"选自第19届荷兰研究跨学科双年会议的论文","authors":"Marsely L. Kehoe, J. Sadler","doi":"10.1080/03096564.2019.1656792","DOIUrl":null,"url":null,"abstract":"The following articles were originally presented at the 19th biennial Interdisciplinary Conference on Netherlandic Studies. Held in Bloomington at Indiana University in June 2018, the conference was organized by the American Association for Netherlandic Studies (AANS). The four articles published here approach the conference theme of the Changing Low Lands from a variety of angles that corresponds with the assortment of topics and disciplines presented at Bloomington. Isabella Lores-Chavez underscores the diversity of the Dutch Republic in the early seventeenth century and how Hendrick Avercamp’s charming winter scenes both reflect and actively shape this new identity. Sarah Dyer Magleby’s consideration of Adriaen van de Venne’s humorous image of ice-skating owls, taking on human characteristics, is of its seventeenth-century Dutch moment as it alludes to a series of proverbs and other visual culture to produce a multi-layered moral message. Derek Kane O’Leary’s paper takes us outside the geographical boundaries of the Low Countries in detailing the efforts of nineteenth-century New Yorkers to integrate the region’s Dutch history into the developing national narrative of the antebellum United States. Finally, Joshua Sander examines the National Socialist effort to shape expatriate Germans and Dutch citizens in the image of the Reich through the German Schools in the Netherlands in the 1930s and 1940s. Our two art historical papers together illustrate the variety of methodologies and potential readings in this discipline, with very different approaches to that celebrated Dutch sport of ice skating. With television host Katie Couric’s much-mocked 2018 explanation of why the Dutch Olympic team dominated in speed-skating (because frozen canals are a major mode of transport in the Netherlands, she argued), it’s clear the world associates ice skating with the Netherlands, but these papers show that ice skating is about more than sport in the Dutch Golden Age. Read as anthropology or allegory, the scholars consider the solidity of the ice, the placement of the skates, the costumes of the skaters, and the setting of the frozen surface, and provide context from the historical and cultural moment to elucidate this imagery and speak to Dutch seventeenth-century morals and identity. The two historical papers plunge into archival sources to investigate the ways in which educational institutions attempted to shape national identities in the nineteenth and twentieth centuries. 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Sarah Dyer Magleby’s consideration of Adriaen van de Venne’s humorous image of ice-skating owls, taking on human characteristics, is of its seventeenth-century Dutch moment as it alludes to a series of proverbs and other visual culture to produce a multi-layered moral message. Derek Kane O’Leary’s paper takes us outside the geographical boundaries of the Low Countries in detailing the efforts of nineteenth-century New Yorkers to integrate the region’s Dutch history into the developing national narrative of the antebellum United States. Finally, Joshua Sander examines the National Socialist effort to shape expatriate Germans and Dutch citizens in the image of the Reich through the German Schools in the Netherlands in the 1930s and 1940s. Our two art historical papers together illustrate the variety of methodologies and potential readings in this discipline, with very different approaches to that celebrated Dutch sport of ice skating. 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引用次数: 0
摘要
以下文章最初发表于第19届荷兰研究两年一次的跨学科会议上。该会议于2018年6月在印第安纳大学布卢明顿举行,由美国荷兰研究协会(AANS)组织。这里发表的四篇文章从不同的角度探讨了低地变化的会议主题,这与在布卢明顿提出的各种主题和学科相对应。伊莎贝拉·洛雷斯-查韦斯强调了17世纪早期荷兰共和国的多样性,以及亨德里克·阿弗坎普迷人的冬季场景如何反映并积极塑造了这种新的身份。Sarah Dyer Magleby对Adriaen van de Venne的溜冰猫头鹰的幽默形象的考虑,呈现出人类的特征,是17世纪荷兰的时刻,因为它暗示了一系列谚语和其他视觉文化,以产生多层次的道德信息。Derek Kane O 'Leary的论文将我们带到了低地国家的地理边界之外,详细介绍了19世纪纽约人将该地区的荷兰历史融入到内战前美国发展中的国家叙事中的努力。最后,约书亚·桑德(Joshua Sander)考察了国家社会主义在20世纪30年代和40年代通过荷兰的德国学校,以帝国的形象塑造外籍德国人和荷兰公民的努力。我们的两篇艺术史论文共同说明了这一学科的各种方法和潜在的阅读,用非常不同的方法来研究著名的荷兰滑冰运动。电视节目主持人凯蒂·库里克(Katie Couric)在2018年对荷兰奥运代表队为何在速滑项目上占据主导地位的解释备受嘲笑(她认为,因为冰冻运河是荷兰的主要交通方式),很明显,全世界都把滑冰与荷兰联系在一起,但这些论文表明,在荷兰的黄金时代,滑冰不仅仅是一项运动。作为人类学或寓言,学者们考虑了冰的坚固性,溜冰鞋的位置,溜冰者的服装,以及冰冻表面的设置,并提供了历史和文化时刻的背景,以阐明这一意象,并与17世纪荷兰的道德和身份对话。这两篇历史论文深入研究了档案资料,调查了19世纪和20世纪教育机构试图塑造国家身份的方式。尽管战前的纽约历史学会(New York Historical Society)与在纳粹统治之前和统治期间监管荷兰德国国际学校(German International Schools)的教育部长有很大不同,但他们都认为教育是国家统一叙事发展的核心组成部分。历届德国教育部长都试图将德国学校塑造成反对“荷兰化”的堡垒,同时不断重新定义德国人的含义,《纽约荷兰穿越》2019年第43卷,第1期。3, 207-208 https://doi.org/10.1080/03096564.2019.1656792
Select Papers from the XIXth Biennial Interdisciplinary Conference on Netherlandic Studies
The following articles were originally presented at the 19th biennial Interdisciplinary Conference on Netherlandic Studies. Held in Bloomington at Indiana University in June 2018, the conference was organized by the American Association for Netherlandic Studies (AANS). The four articles published here approach the conference theme of the Changing Low Lands from a variety of angles that corresponds with the assortment of topics and disciplines presented at Bloomington. Isabella Lores-Chavez underscores the diversity of the Dutch Republic in the early seventeenth century and how Hendrick Avercamp’s charming winter scenes both reflect and actively shape this new identity. Sarah Dyer Magleby’s consideration of Adriaen van de Venne’s humorous image of ice-skating owls, taking on human characteristics, is of its seventeenth-century Dutch moment as it alludes to a series of proverbs and other visual culture to produce a multi-layered moral message. Derek Kane O’Leary’s paper takes us outside the geographical boundaries of the Low Countries in detailing the efforts of nineteenth-century New Yorkers to integrate the region’s Dutch history into the developing national narrative of the antebellum United States. Finally, Joshua Sander examines the National Socialist effort to shape expatriate Germans and Dutch citizens in the image of the Reich through the German Schools in the Netherlands in the 1930s and 1940s. Our two art historical papers together illustrate the variety of methodologies and potential readings in this discipline, with very different approaches to that celebrated Dutch sport of ice skating. With television host Katie Couric’s much-mocked 2018 explanation of why the Dutch Olympic team dominated in speed-skating (because frozen canals are a major mode of transport in the Netherlands, she argued), it’s clear the world associates ice skating with the Netherlands, but these papers show that ice skating is about more than sport in the Dutch Golden Age. Read as anthropology or allegory, the scholars consider the solidity of the ice, the placement of the skates, the costumes of the skaters, and the setting of the frozen surface, and provide context from the historical and cultural moment to elucidate this imagery and speak to Dutch seventeenth-century morals and identity. The two historical papers plunge into archival sources to investigate the ways in which educational institutions attempted to shape national identities in the nineteenth and twentieth centuries. Though the antebellum New York Historical Society differed greatly from educational ministers who oversaw German International Schools in the Netherlands prior to and during Nazi rule, both saw education as a central component to the development of narratives of national unity. Where a succession of German education ministers attempted to mold the German Schools into a bulwark against ‘Dutchification,’ while constantly redefining what it meant to be German, the New York DUTCH CROSSING 2019, VOL. 43, NO. 3, 207–208 https://doi.org/10.1080/03096564.2019.1656792