{"title":"这是18世纪新西班牙流行音乐剧的一个例子。tonadilla的例子只有yronic肖像","authors":"R. García","doi":"10.22201/iih.24486922e.2019.61.64000","DOIUrl":null,"url":null,"abstract":"In 18th century New Spain the tonadilla was one of the music theater genres most favored by audiences. Inventories of the Coliseo theater in Mexico City reveal the existence of a large number of musical pieces of this sort. Although the majority of them came from Spain, some were composed in New Spain as well. A transcription of the lyrics for Los retratos ironicos, a solo tonadilla of Mexican origin, is offered here.","PeriodicalId":40806,"journal":{"name":"Estudios de Historia Novohispana","volume":"6 3 1","pages":"141-149"},"PeriodicalIF":0.2000,"publicationDate":"2019-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Un ejemplo de teatro musical popular novohispano del siglo XVIII. El caso de la tonadilla a solo Los retratos yrónicos\",\"authors\":\"R. García\",\"doi\":\"10.22201/iih.24486922e.2019.61.64000\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 18th century New Spain the tonadilla was one of the music theater genres most favored by audiences. Inventories of the Coliseo theater in Mexico City reveal the existence of a large number of musical pieces of this sort. Although the majority of them came from Spain, some were composed in New Spain as well. A transcription of the lyrics for Los retratos ironicos, a solo tonadilla of Mexican origin, is offered here.\",\"PeriodicalId\":40806,\"journal\":{\"name\":\"Estudios de Historia Novohispana\",\"volume\":\"6 3 1\",\"pages\":\"141-149\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-11-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Estudios de Historia Novohispana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22201/iih.24486922e.2019.61.64000\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Estudios de Historia Novohispana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22201/iih.24486922e.2019.61.64000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
Un ejemplo de teatro musical popular novohispano del siglo XVIII. El caso de la tonadilla a solo Los retratos yrónicos
In 18th century New Spain the tonadilla was one of the music theater genres most favored by audiences. Inventories of the Coliseo theater in Mexico City reveal the existence of a large number of musical pieces of this sort. Although the majority of them came from Spain, some were composed in New Spain as well. A transcription of the lyrics for Los retratos ironicos, a solo tonadilla of Mexican origin, is offered here.
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