斯宾塞的黄金时代记忆:回顾《普罗撒拉米翁》中的时间废墟

Q1 Arts and Humanities
Spenser Studies Pub Date : 2020-01-01 DOI:10.1086/706178
R. Helfer
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引用次数: 0

摘要

本文通过对奥维德的《变形》和《法斯蒂》的典喻,以及斯宾塞早期的抱怨《时间的毁灭》的互文存在,探讨了斯宾塞晚期诗歌《Prothalamion》是如何重构和解构黄金时代诗歌和政治神话的。虽然这两首诗都是关于黄金时代的记忆,但斯宾塞认为《普罗塔拉米翁》是一部由《时间的废墟》构建的回顾性小说,这是斯宾塞贯穿一生的关于毁灭和回忆的诗学的互文性。正如我所说,斯宾塞的诗学与记忆的艺术有关,正如它的起源故事所戏剧化的那样:诗人西蒙尼德斯的故事,他通过回忆一座被毁坏的大厦而发现了地点记忆。通过回忆《时间的废墟》中的普罗thalamion,斯宾塞既回忆并改革了他自己的过去和诗歌的纪念废墟,同时挑战了与伊丽莎白女王和他作为英格兰新维吉尔的角色有关的黄金时代的神话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spenser’s Golden Age Memories: Recollecting The Ruines of Time in Prothalamion
This essay explores how Spenser’s late poem Prothalamion both reconstructs and deconstructs Golden Age myths of poetry and politics, through allusions to Ovid’s Metamorphoses and Fasti as well as through the intertextual presence of Spenser’s early complaint The Ruines of Time. Although Golden Age memories of a time before a fall into time connect these two poems, Spenser nevertheless reveals Prothalamion to be a retrospective fiction constructed from The Ruines of Time, an intertextuality reflective of Spenser’s career-long poetics of ruin and recollection. As I argue, Spenser’s poetics relate to the art of memory, as dramatized by its origin story: the tale of the poet Simonides, who discovers locational memory by recollecting a ruined edifice. By remembering Prothalamion from The Ruines of Time, Spenser both recollects and reforms the memorial ruins of his own past and poetry, while challenging the myth of the Golden Age associated with Queen Elizabeth and his presumed role as England’s new Virgil.
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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