Dragisa Stojadinovic关于Miroslav Krleza“塞尔维亚主题”的公开信

IF 0.2 N/A ART
Vukašin Marić
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摘要

这篇文章探讨了德拉吉萨·斯托亚迪诺维奇对弗伊尔顿?塞尔维亚主题的反应。作者是米罗斯拉夫·克雷扎Krleza吗?1963年4月、5月和6月,《政治报》(Politika)刊登了他的自传。它由他早期作品的片段组成,以主题单位组织,涉及塞尔维亚历史的不同主题。退役军人、第一次世界大战期间在萨洛尼卡前线的塞尔维亚军队电影科科长、两次世界大战期间南斯拉夫的政治家德拉吉萨·斯托亚迪诺维奇对克雷扎?他给南斯拉夫科学与艺术学院(萨格勒布)、塞尔维亚科学与艺术学院(贝尔格莱德)和塞族共和国(诺维萨德)写了一封公开信。Stojadinovic吗?这封公开信是1963年6月28日发出的。专注于调查克莱扎?6月9日,他在《政治报》上发表了一篇关于萨洛尼卡审判的文章。本文从当代史学知识的角度分析了克雷扎所陈述的信息和斯托亚迪诺维奇所提出的批评。Krleza和Stojadinovic提出的不同解释,其根源在于对萨洛尼卡审判的原因和结果的不同看法。Stojadinovic为其岳父Ljuba Jovanovic Patak发起的审判辩护,他参与了该组织,后来被指控篡改证人。克莱扎从反革命的角度看待审判?1918年南斯拉夫统一,并被视为“政治和司法谋杀”。文章还包含塞尔维亚国家图书馆的原始文件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dragisa Stojadinovic’s Open letter regarding Miroslav Krleza’s “Serbian themes”
This article examines the reaction of Dragisa Stojadinovic to the feuilleton ?Serbian themes? done by the writer Miroslav Krleza. Krleza?s feuilleton was being published in newspaper Politika during April, May and June of 1963. It consisted of fragments from his earlier writings organized in thematic units and concerning different topics from Serbian history. Dragisa Stojadinovic, former soldier, chief of Cinematographic section of Serbian army on Salonica front during the First World War and politician in interwar Yugoslavia, responded to Krleza?s feuilleton by writting an Open letter to the Yugoslav Academy of Sciences and Arts (Zagreb), the Serbian Academy of Sciences and Arts (Belgrade) and the Matica Srpska (Novi Sad). Stojadinovic?s Open letter was sent on June 28th, 1963. It focused on scrutinizing Krleza?s article Pasic about the Salonika trial published in Politika on June 9th. Both informations stated by Krleza and criticism put forward by Stojadinovic are analyzed in the light of contemporary historiographical knowledge. Different interpretations presented by Krleza and Stojadinovic have their roots in opposed views on causes and results of Salonika trial. Stojadinovic defended the legitimacy of trial started by his father-in-law Ljuba Jovanovic Patak, he was involved in its organisation and later accused of witness tampering. Krleza saw trial in the light of ?counter-revolutionary? Yugoslav unification in 1918 and as an act of ?political and judicial murder?. Article also contains original documents from National Library of Serbia.
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