在时间的螺旋中:多米·奥利维耶里和郑廷明哈的对话

IF 0.5 0 FILM, RADIO, TELEVISION
D. Olivieri, T. Minh-ha
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引用次数: 0

摘要

本文由学者、活动家多米蒂拉·奥利维耶里博士与著名电影制作人、作家、理论家、教授郑明河的对话组成。通过问答,这篇文章从Trinh对知识分子概念的理解开始;接下来的对话将继续穿越一些主题和问题,这些主题和问题是作为电影制作人和学者的郑的作品的特征:电影作为政治和智力干预的形式;(散居的)社区、主体性和地点的问题;标签和类型的问题如何在电影行业中发挥作用;观众的问题;电影如同邂逅;知识生产的政治学;时间和暂时的问题。保持对话也是一种理解,即郑的电影不仅涉及(跨)民族运动、遭遇、技术、诗歌和生活节奏等问题,而且还制定和表演这些运动。最后,本文讨论了作为女权主义者和后殖民实践的郑的遗产,以及批评和(非)了解在她跨类型的作品中的作用,以及电影制作的复杂和诗意,以及强烈的政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In the spiral of time: conversation between Domi Olivieri and Trinh T. Minh-ha
ABSTRACT This article consists of a conversation between dr. Domitilla (domi) Olivieri, scholar and activist, and Trinh T. Minh-ha, renowned filmmaker, writer, theorist, and professor. Through questions and answers, the piece starts with Trinh’s take on the notion of the intellectual; the dialogue then continues by traversing some of the themes and issues that characterise Trinh’s work as a filmmaker and a scholar: films as forms of political and intellectual intervention; the matter of (diasporic) communities, subjectivities, and locations; how the issue of labels and genres plays out in the film industry; the question of audiences; the film as encounter; politics of knowledge productions; matters of time and temporalities. Sustaining the conversation is also an understanding that Trinh’s films do not only address issues of (trans)national movements, encounters, technologies, poetry, and rhythms of lives, but they also enact and perform those very movements. Finally, the article discusses Trinh’s legacies as feminist and postcolonial practices, and the role of criticism and (non)knowing in her work across genres and registers of filmmaking that are complex and poetic, as well as strongly political.
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来源期刊
Transnational Screens
Transnational Screens Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
23
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