{"title":"Commodification of Gamelan Selonding in Tenganan Pegringsingan Village, Bali","authors":"I. W. Suharta","doi":"10.15294/harmonia.v22i1.35062","DOIUrl":null,"url":null,"abstract":"Gamelan Selonding is a form of traditional music found in Tenganan Pegringsingan village, with a pelog tujuh nada in barungan alit classification that is sacred, unique, and deeply rooted in the community. The traditional way of life and productive religious activities with their numerous manifestations ensure Gamelan Selonding’s continuity and authenticity. According to historical dynamics, the influence of external culture and its various modernization styles disrupted Gamelan Selonding’s existence, resulting in its commodification. The commodification of Gamelan Selonding is a process that encompasses three stages, namely production, distribution, and consumption. In production, Gamelan Selonding is duplicated into a commodity by imitating its original form; distribution is an attempt to spread Gamelan Selonding production, which increases development consequences; and consumption Gamelan Selonding is used as a ritual compliment and an artistic medium. The Gamelan Selonding’s commodification occurs due to its adaptable nature; it can accept, absorb, and adapt to changing circumstances, resulting in a diversity of functions, not limited to ritual contexts, but a broader social context. The commodification of Gamelan Selonding is an artistic dynamic that empowers the potential of traditional arts in the formulation of contemporary performing arts expressions, accepted as a local spectacle capable of competing in a global culture.","PeriodicalId":36152,"journal":{"name":"Harmonia: Journal of Arts Research and Education","volume":"30 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Harmonia: Journal of Arts Research and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15294/harmonia.v22i1.35062","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
摘要
甘美兰Selonding是在Tenganan Pegringsingan村发现的一种传统音乐形式,在barungan alit分类中具有pelog tujuh nada,是神圣的,独特的,并深深扎根于社区。传统的生活方式和富有成效的宗教活动及其众多表现形式确保了加麦兰塞隆丁的连续性和真实性。根据历史动态,外部文化的影响及其各种现代化风格扰乱了佳美兰塞隆丁的生存,导致其商品化。Gamelan Selonding的商品化过程包括生产、分销和消费三个阶段。在生产中,佳美兰Selonding通过模仿其原始形态被复制成商品;分销是为了传播佳美兰Selonding产品,这增加了开发后果;甘美兰音乐被用作一种仪式上的赞美和艺术媒介。佳美兰Selonding的商品化源于其适应性;它可以接受、吸收和适应不断变化的环境,从而产生多样化的功能,不仅限于仪式背景,而是更广泛的社会背景。Gamelan Selonding的商品化是一种艺术动态,它赋予了传统艺术在当代表演艺术表达形式中的潜力,作为一种能够在全球文化中竞争的当地奇观而被接受。
Commodification of Gamelan Selonding in Tenganan Pegringsingan Village, Bali
Gamelan Selonding is a form of traditional music found in Tenganan Pegringsingan village, with a pelog tujuh nada in barungan alit classification that is sacred, unique, and deeply rooted in the community. The traditional way of life and productive religious activities with their numerous manifestations ensure Gamelan Selonding’s continuity and authenticity. According to historical dynamics, the influence of external culture and its various modernization styles disrupted Gamelan Selonding’s existence, resulting in its commodification. The commodification of Gamelan Selonding is a process that encompasses three stages, namely production, distribution, and consumption. In production, Gamelan Selonding is duplicated into a commodity by imitating its original form; distribution is an attempt to spread Gamelan Selonding production, which increases development consequences; and consumption Gamelan Selonding is used as a ritual compliment and an artistic medium. The Gamelan Selonding’s commodification occurs due to its adaptable nature; it can accept, absorb, and adapt to changing circumstances, resulting in a diversity of functions, not limited to ritual contexts, but a broader social context. The commodification of Gamelan Selonding is an artistic dynamic that empowers the potential of traditional arts in the formulation of contemporary performing arts expressions, accepted as a local spectacle capable of competing in a global culture.