{"title":"死亡唠叨:阿尔多弗1506年的黛利拉和女性的真正力量","authors":"Jennifer L. Nelson","doi":"10.1086/709190","DOIUrl":null,"url":null,"abstract":"Amid variants of the misogynistic motifs known as “Power of Women” or Weibermacht popular in early modern northern Europe appears an early unique interpretation: Albrecht Altdorfer’s 1506 lively, scrawly chiaroscuro drawing Samson and Delilah (fig. 1). It would be unusual at this time to depict a historical (or biblical-historical) woman as anything but a moral example of good or bad behavior. Delilah, lethal deceiver of the Old Testament hero Samson, finds herself squarely in the category of “bad.”Why, then, does Altdorfer’s Delilah appear to be attempting to warn a sleeping, unshorn Samson of the approach of Philistine soldiers?","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":"34 1","pages":"230 - 240"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Death Nag: Altdorfer’s 1506 Delilah and the Real Power of Women\",\"authors\":\"Jennifer L. Nelson\",\"doi\":\"10.1086/709190\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Amid variants of the misogynistic motifs known as “Power of Women” or Weibermacht popular in early modern northern Europe appears an early unique interpretation: Albrecht Altdorfer’s 1506 lively, scrawly chiaroscuro drawing Samson and Delilah (fig. 1). It would be unusual at this time to depict a historical (or biblical-historical) woman as anything but a moral example of good or bad behavior. Delilah, lethal deceiver of the Old Testament hero Samson, finds herself squarely in the category of “bad.”Why, then, does Altdorfer’s Delilah appear to be attempting to warn a sleeping, unshorn Samson of the approach of Philistine soldiers?\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":\"34 1\",\"pages\":\"230 - 240\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/709190\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/709190","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
在早期现代北欧流行的“女性的力量”(webermacht)等厌女主题的变体中，出现了一种早期独特的解释:阿尔布雷希特·阿尔特多弗(Albrecht Altdorfer) 1506年创作的生动、粗壮的明暗对比画《参son and Delilah》(图1)。在当时，将历史上(或圣经历史上)的女性描绘成品行好坏的道德榜样是很不寻常的。大利拉，旧约英雄参孙的致命骗子，发现自己完全属于“坏人”的范畴。那么，为什么阿特多弗的黛利拉似乎是在试图警告熟睡的未剪毛的参孙，非利士人的士兵正在逼近呢?
Death Nag: Altdorfer’s 1506 Delilah and the Real Power of Women
Amid variants of the misogynistic motifs known as “Power of Women” or Weibermacht popular in early modern northern Europe appears an early unique interpretation: Albrecht Altdorfer’s 1506 lively, scrawly chiaroscuro drawing Samson and Delilah (fig. 1). It would be unusual at this time to depict a historical (or biblical-historical) woman as anything but a moral example of good or bad behavior. Delilah, lethal deceiver of the Old Testament hero Samson, finds herself squarely in the category of “bad.”Why, then, does Altdorfer’s Delilah appear to be attempting to warn a sleeping, unshorn Samson of the approach of Philistine soldiers?
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
