{"title":"《抒情如喜剧:战后美国落落的诗学》,卡莉斯塔·麦克雷著,《罗伯特·洛厄尔与爱尔兰诗歌》,伊芙·科本、菲利普·科尔曼主编(书评)","authors":"Joshua Kulseth","doi":"10.1353/itx.2022.0008","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":33860,"journal":{"name":"Cultural Intertexts","volume":"37 1","pages":"140 - 145"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Lyric as Comedy: The Poetics of Abjection in Postwar America by Calista McCrae, and: Robert Lowell and Irish Poetry ed. by Eve Cobain and Philip Coleman (review)\",\"authors\":\"Joshua Kulseth\",\"doi\":\"10.1353/itx.2022.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":33860,\"journal\":{\"name\":\"Cultural Intertexts\",\"volume\":\"37 1\",\"pages\":\"140 - 145\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Intertexts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/itx.2022.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Intertexts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/itx.2022.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Lyric as Comedy: The Poetics of Abjection in Postwar America by Calista McCrae, and: Robert Lowell and Irish Poetry ed. by Eve Cobain and Philip Coleman (review)