软实力、生存危机与喀拉拉邦的部落人民:母亲森林研究,C. K.贾努未完成的故事

IF 0.1 0 LITERARY THEORY & CRITICISM
Shruti Das
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引用次数: 0

摘要

约瑟夫·奈创造了“软实力”一词,他说这意味着“让别人想要你想要的结果”。作为世界上最大的民主国家,印度也是数百万贫困人口的家园,其中包括许多土著部落,他们阻碍了印度经济和政治的快速发展。《森林母亲:C. K. Janu未完成的故事》由Janu Bhaskaran撰写,由N. Ravi Shanker从马拉雅拉姆语翻译成英语,讲述了喀拉拉邦阿迪亚斯部落人民的斗争故事,他们的身份和生计受到威胁,因为他们被剥夺了他们在森林中的古老土地。这个部落由来自他们社区的女孩Janu领导,她与国家软实力的斗争表明了这些部落人民的生存危机。本文试图运用奈的“软实力”理论来研究《森林母亲》叙事中部落民族的生存危机。本文将试图揭露国家政策的威权主义,以及土著人民面对《森林母亲》中所描述的流离失所者的无助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Soft Power, Crisis of Existence and the Tribal People of Kerala:A Study of Mother Forest, the Unfinished Story of C. K. Janu
Joseph Nye coined the term “soft power” which he says means “getting others to want the outcomes that you want.” The world’s largest democracy India is also the home of millions of impoverished people including many indigenous tribes that are impediments to the desired rapid economic and political growth of India. Mother Forest: The Unfinished Story of C. K. Janu, written by Janu Bhaskaran and translated from the original Malayalam into English by N. Ravi Shanker, narrates the story of the struggle of the Adiyas, a tribal people of Kerala, whose identity and livelihood is threatened when they are dispossessed of their ancient land in the forest. The tribe is led by Janu, a girl from their community, whose struggles against the soft power of the State inform the crisis of existence of these tribal people. This paper will attempt to study the crisis of existence of the tribal people in the narrative of Mother Forest using Nye’s theory of “soft power”. This paper will attempt to expose the authoritarianism of State policies vis a vis the helplessness of the indigenous people in the face of displacement from their original habitat as described in Mother Forest.
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来源期刊
Interdisciplinary Literary Studies
Interdisciplinary Literary Studies LITERARY THEORY & CRITICISM-
CiteScore
0.10
自引率
0.00%
发文量
13
期刊介绍: Interdisciplinary Literary Studies seeks to explore the interconnections between literary study and other disciplines, ideologies, and cultural methods of critique. All national literatures, periods, and genres are welcomed topics.
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