情绪、声音和乐器:反复听到愤怒的声音会使乐器的声音更愤怒

Casady Bowman, T. Yamauchi, Kunchen Xiao
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引用次数: 2

摘要

对情感的感知对社会互动至关重要。非语言信号,如人声和乐器中的信号,用于交流情感。本研究采用适应范式,考察了共同的心理机制在器乐和声乐情感加工中的应用程度。在两个实验中,我们发现长时间暴露于情感性的非语言发声会在参与者进行器乐音型测试时产生听觉后效(实验1a),而当参与者暴露于情感性的器乐声音和非语言声音测试时则没有明显的后效(实验1b)。具体来说,结果表明,接触愤怒的声音会让参与者认为乐器的声音更愤怒,更不害怕,反之亦然。这些发现表明,在声乐和器乐声音中存在着情感感知的方向性。值得注意的是,这种单向关系揭示了用于情绪处理的机制很可能是声乐和器乐声音共享的,而不是相反。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emotion, voices and musical instruments: Repeated exposure to angry vocal sounds makes instrumental sounds angrier
The perception of emotion is critical for social interactions. Nonlinguistic signals such as those in the human voice and musical instruments are used for communicating emotion. Using an adaptation paradigm, this study examines the extent to which common mental mechanisms are applied for emotion processing of instrumental and vocal sounds. In two experiments we show that prolonged exposure to affective non-linguistic vocalizations elicits auditory after effects when participants are tested on instrumental morphs (Experiment 1a), yet no aftereffects are apparent when participants are exposed to affective instrumental sounds and tested on non-linguistic voices (Experiment 1b). Specifically, results indicate that exposure to angry vocal sounds made participants perceive instrumental sounds as angrier and less fearful, but not vice versa. These findings suggest that there is a directionality for emotion perception in vocal and instrumental sounds. Significantly, this unidirectional relationship reveals that mechanisms used for emotion processing is likely to be shared from vocal sounds to instrumental sounds, but not vice versa.
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