{"title":"圣地亚哥市长,taumaturgo:他死后奇迹的中世纪文本和图像","authors":"Marta Cendón Fernández","doi":"10.21747/2182-1097/14a9","DOIUrl":null,"url":null,"abstract":"To approach the iconography of the miracles of Saint James involves turning to textual sources, to observe the interaction between image and text. In the 12th century, the Liber Sancti Iacobi compiles, in Book II, the miracles performed by the Apostle on the roads to Santiago and in the saint’s own church in Compostela. The geography where the miracles take place is varied, and the protagonists belong to different social classes, although the privileged are the most important. This miraculous compendium was copied and inserted in various codices that have been studied from philological and cultural analyses. With regard to the History of Art, we propose to approach some of these miracles based on the images and the devotion to which they have been the object: which are the most represented, what aspects stand out and what are their main meanings according to their supports.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"45 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Santiago el Mayor, taumaturgo: textos e imágenes medievales para sus milagros post mortem\",\"authors\":\"Marta Cendón Fernández\",\"doi\":\"10.21747/2182-1097/14a9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"To approach the iconography of the miracles of Saint James involves turning to textual sources, to observe the interaction between image and text. In the 12th century, the Liber Sancti Iacobi compiles, in Book II, the miracles performed by the Apostle on the roads to Santiago and in the saint’s own church in Compostela. The geography where the miracles take place is varied, and the protagonists belong to different social classes, although the privileged are the most important. This miraculous compendium was copied and inserted in various codices that have been studied from philological and cultural analyses. With regard to the History of Art, we propose to approach some of these miracles based on the images and the devotion to which they have been the object: which are the most represented, what aspects stand out and what are their main meanings according to their supports.\",\"PeriodicalId\":53268,\"journal\":{\"name\":\"CEM Cultura Espaco Memoria\",\"volume\":\"45 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CEM Cultura Espaco Memoria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21747/2182-1097/14a9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CEM Cultura Espaco Memoria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21747/2182-1097/14a9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
要接近圣詹姆斯的奇迹图像涉及转向文本来源,观察图像和文本之间的相互作用。在12世纪,《圣雅各比书》(Liber Sancti Iacobi)在第二卷中汇编了使徒在通往圣地亚哥的路上以及在孔波斯特拉的圣人自己的教堂里所行的神迹。奇迹发生的地理位置各不相同,主人公属于不同的社会阶层,尽管特权阶层是最重要的。这个神奇的纲要被复制并插入到各种各样的抄本中,这些抄本是从语言学和文化分析中研究出来的。在艺术史方面,我们建议从这些奇迹的形象和对它们的崇拜来看待它们:哪些是最具代表性的,哪些方面突出,根据它们的支持,它们的主要意义是什么。
Santiago el Mayor, taumaturgo: textos e imágenes medievales para sus milagros post mortem
To approach the iconography of the miracles of Saint James involves turning to textual sources, to observe the interaction between image and text. In the 12th century, the Liber Sancti Iacobi compiles, in Book II, the miracles performed by the Apostle on the roads to Santiago and in the saint’s own church in Compostela. The geography where the miracles take place is varied, and the protagonists belong to different social classes, although the privileged are the most important. This miraculous compendium was copied and inserted in various codices that have been studied from philological and cultural analyses. With regard to the History of Art, we propose to approach some of these miracles based on the images and the devotion to which they have been the object: which are the most represented, what aspects stand out and what are their main meanings according to their supports.