{"title":"玛丽-凯瑟琳·德奥尔诺瓦童话中的古怪变形与越界身体","authors":"Elizabeth Howard","doi":"10.1353/mat.2021.0024","DOIUrl":null,"url":null,"abstract":"Abstract:In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee and the Orange Tree,” magical transformations enable the principle characters to transgress the limits imposed upon them by their gender and species, challenging misogynistic and anthropocentric hierarchies that reinforce the superiority of men over women, mind over body, and humans over animals. The metamorphosing bodies of the characters function as narrative sites where multiple identities and sexualities intersect. Creating hybrid identities and queer relationships that expand a restrictive heteronormativity, these stories demonstrate the fluid and dynamic nature of sex, gender, and desire.","PeriodicalId":42276,"journal":{"name":"Marvels & Tales-Journal of Fairy-Tale Studies","volume":"11 1","pages":"312 - 334"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Queer Transformations and Transgressive Bodies in the Fairy Tales of Marie-Catherine d’Aulnoy\",\"authors\":\"Elizabeth Howard\",\"doi\":\"10.1353/mat.2021.0024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee and the Orange Tree,” magical transformations enable the principle characters to transgress the limits imposed upon them by their gender and species, challenging misogynistic and anthropocentric hierarchies that reinforce the superiority of men over women, mind over body, and humans over animals. The metamorphosing bodies of the characters function as narrative sites where multiple identities and sexualities intersect. Creating hybrid identities and queer relationships that expand a restrictive heteronormativity, these stories demonstrate the fluid and dynamic nature of sex, gender, and desire.\",\"PeriodicalId\":42276,\"journal\":{\"name\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"volume\":\"11 1\",\"pages\":\"312 - 334\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mat.2021.0024\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marvels & Tales-Journal of Fairy-Tale Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mat.2021.0024","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Queer Transformations and Transgressive Bodies in the Fairy Tales of Marie-Catherine d’Aulnoy
Abstract:In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee and the Orange Tree,” magical transformations enable the principle characters to transgress the limits imposed upon them by their gender and species, challenging misogynistic and anthropocentric hierarchies that reinforce the superiority of men over women, mind over body, and humans over animals. The metamorphosing bodies of the characters function as narrative sites where multiple identities and sexualities intersect. Creating hybrid identities and queer relationships that expand a restrictive heteronormativity, these stories demonstrate the fluid and dynamic nature of sex, gender, and desire.
期刊介绍:
Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.