猪肠和干骨头:关于单口喜剧中n字的对话

Pub Date : 2022-09-01 DOI:10.5325/studamerhumor.8.2.0252
A. Aghapour, Samuel Gates, Michelle Robinson
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摘要

摘要:本文探讨了n字在单口喜剧中的社会意义和美学作用,在表演和艺术家之间的对话中,n字的力量、效用以及与黑人的关系都得到了探讨。我们将注意力转向单口喜剧,将其作为解构和重新利用n字的重要文化空间。我们讨论了这位单口相声演员,作为一名社会政治评论员,他通过与观众的持续交流,颠覆了观众的期望,调整了节目设置,如何用幽默来应对围绕“n”这个词的不适。我们的对话集中在理查德·普赖尔、克里斯·洛克、戴夫·查普尔、旺达·赛克斯和萨姆·杰伊的作品上,同时也考虑到路易斯·c·K、乔治·卡林和哈桑·明哈吉的作品。我们认为,在单口相声中讨论黑人这个词,是在参与公众对黑人和人性的理解。
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Chitlins and Dry Bones: A Conversation About the N-Word in Stand-Up Comedy
ABSTRACT:This conversation addresses the social meanings and aesthetic role of the N-word in stand-up comedy, where its power, utility, and relation to Blackness are hashed out in performances and in dialogues among artists. We turn our attention to stand-up comedy as a vital cultural space for deconstructing and repurposing the N-word. We discuss how the stand-up comedian, as a sociopolitical commentator who subverts audiences’ expectations and calibrates sets through ongoing exchanges with the audiences, uses humor to wrestle with discomfort surrounding the N-word. Our dialogue focuses on the work of Richard Pryor, Chris Rock, Dave Chappelle, Wanda Sykes, and Sam Jay, with some consideration of Louis C. K., George Carlin, and Hasan Minhaj. We make the case that to discuss the N-word in stand-up comedy is to engage with public understandings of Blackness and humanity.
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