{"title":"大卫·加里克的《小丑的入侵》和《辛白林》中的和解","authors":"John M. Crimmins","doi":"10.1353/SEL.2019.0025","DOIUrl":null,"url":null,"abstract":"Abstract:This article suggests that as a precursor to David Garrick's faithful adaptation of Cymbeline, he wrote a satirical rumination on its amalgamation of history and fantasy, titled Harlequin's Invasion, in which Shakespeare, figuratively speaking, dons Harlequin's mask. Harlequin's Invasion's ironic reversals celebrate the pleasurable astonishment of the nearness of difference and attempt a neighborly threefold reconciliation: of the genres of comedy and drama, of the body's passions and humors, and of the warring French and British.","PeriodicalId":45835,"journal":{"name":"STUDIES IN ENGLISH LITERATURE 1500-1900","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Reconciliation in David Garrick's Harlequin's Invasion and Cymbeline\",\"authors\":\"John M. Crimmins\",\"doi\":\"10.1353/SEL.2019.0025\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article suggests that as a precursor to David Garrick's faithful adaptation of Cymbeline, he wrote a satirical rumination on its amalgamation of history and fantasy, titled Harlequin's Invasion, in which Shakespeare, figuratively speaking, dons Harlequin's mask. Harlequin's Invasion's ironic reversals celebrate the pleasurable astonishment of the nearness of difference and attempt a neighborly threefold reconciliation: of the genres of comedy and drama, of the body's passions and humors, and of the warring French and British.\",\"PeriodicalId\":45835,\"journal\":{\"name\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-08-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/SEL.2019.0025\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN ENGLISH LITERATURE 1500-1900","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/SEL.2019.0025","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Reconciliation in David Garrick's Harlequin's Invasion and Cymbeline
Abstract:This article suggests that as a precursor to David Garrick's faithful adaptation of Cymbeline, he wrote a satirical rumination on its amalgamation of history and fantasy, titled Harlequin's Invasion, in which Shakespeare, figuratively speaking, dons Harlequin's mask. Harlequin's Invasion's ironic reversals celebrate the pleasurable astonishment of the nearness of difference and attempt a neighborly threefold reconciliation: of the genres of comedy and drama, of the body's passions and humors, and of the warring French and British.
期刊介绍:
SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.