{"title":"自由还是死亡:帕特里克·亨利、戏剧歌曲和跨大西洋爱国者政治","authors":"Amy Dunagin","doi":"10.1353/eam.2023.a904224","DOIUrl":null,"url":null,"abstract":"abstract:This “Consider the Source” piece examines the origins of Patrick Henry’s well-known phrase “Give me liberty or give me death!” It suggests that Henry may have borrowed from one of the least elevated of literary contexts: a comedic musical interlude from the London stage. This potential connection both affirms the transatlantic nature of American revolutionary rhetoric and shows that the locus of this rhetorical exchange was socially broad, occurring across “low” as well as elite genres.","PeriodicalId":43255,"journal":{"name":"Early American Studies-An Interdisciplinary Journal","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Liberty or Death: Patrick Henry, Theatrical Song, and Transatlantic Patriot Politics\",\"authors\":\"Amy Dunagin\",\"doi\":\"10.1353/eam.2023.a904224\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This “Consider the Source” piece examines the origins of Patrick Henry’s well-known phrase “Give me liberty or give me death!” It suggests that Henry may have borrowed from one of the least elevated of literary contexts: a comedic musical interlude from the London stage. This potential connection both affirms the transatlantic nature of American revolutionary rhetoric and shows that the locus of this rhetorical exchange was socially broad, occurring across “low” as well as elite genres.\",\"PeriodicalId\":43255,\"journal\":{\"name\":\"Early American Studies-An Interdisciplinary Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early American Studies-An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/eam.2023.a904224\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early American Studies-An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/eam.2023.a904224","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
Liberty or Death: Patrick Henry, Theatrical Song, and Transatlantic Patriot Politics
abstract:This “Consider the Source” piece examines the origins of Patrick Henry’s well-known phrase “Give me liberty or give me death!” It suggests that Henry may have borrowed from one of the least elevated of literary contexts: a comedic musical interlude from the London stage. This potential connection both affirms the transatlantic nature of American revolutionary rhetoric and shows that the locus of this rhetorical exchange was socially broad, occurring across “low” as well as elite genres.
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