巴拉顿文本的接待:从纤维到小说

Abdul Hakim
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引用次数: 0

摘要

小说para作为一种新的篇章para形式,其存在是本文研究的基础。本文研究的问题是如何将对位语篇理解为一种新的形式。本文旨在解释小说与经典对位文本的差异,并展示根据当今读者期望的视界改编的小说形式的反转。为了解决这一问题,本文运用了汉斯·罗伯特·约斯的接受理论和现象学方法。本文给出了一些分析结果。首先,小说para - aton在叙事细节上比para - aton文本表现得更为丰富。其次,小说对位也体现了对肯·阿洛克、肯·德迪斯、通古尔·阿明等人物形象的创作。这些创作与当今社会的期望视野有关。第三,para - aton的小说作为对para - aton经典文本、人物或人物刻画、故事设置和凹槽的反映。第四,小说《para - aton》在描写通古尔·阿梅东和肯·阿洛克两个人物时,呈现出完整的伦理叙事。关键词:小说对调,接受,期望视界,反转
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resepsi Teks Pararaton: dari Serat ke Novel
This paper is ground by the presence of novel Pararaton as a new form of text Pararaton. The problem in this paper is how the Pararaton text is perceived into a novel form. This paper aims to explain the novel differences with the classic Pararaton texts and to show an inversion in the form of a novel that is adapted according to the horizon of today's readers' expectations. To address this problem, this paper uses Hans Robert Jauss' reception theory and phenomenology methods. This paper shows some analysis results.  First, the novel Pararaton shows richer with narrative detailing than the Pararaton text. Secondly, Novel Pararaton also shows the creation of the depiction of Ken Arok, Ken Dedes, and Tunggul Ametung. The creations relate to the expectations horizon of today's society. Third, Pararaton's novel as a reflection of Pararatonic classical texts, figures or characterizations, story settings, and grooves. Fourth, the novel Pararaton presented with a full ethical narrative in describing the characters Tunggul Ametung and Ken Arok.Key word: novel Pararaton, reception, the expectation horizon, inversion
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