妈祖的神话化:从古安宫内部的空间设置和活动中解读

Q1 Arts and Humanities
Suastiwi Triatmodjo, Ted Tsung-te Tsai, M. Burhan, H. B. Prasetya, Endah Budiarti
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引用次数: 0

摘要

本研究旨在了解中爪哇拉塞姆市妈祖女神的神话。研究是通过观察古安寺(CAK)的内部空间进行的,古安寺是拉森市最古老的寺庙。本研究采用Rapoport(1982)的言语交际方法和Koentjaraningrat(2015)的文化方法来探索人类与环境的关系,并解释研究对象中存在的现象。研究发现,该妈祖庙内存在一个提升空间;这个空间被放置在空间和时间的轴线上,这是为了看到整个社区所建造的空间的意义,无论是中国人还是爪哇人,从寺庙第一次建造到现在,在一个连续的时间流中,以及对在拉西姆实际发生的现象的解释。通过研究可以得出结论,该提升空间显示了当地社区中、爪哇两族对妈祖的神话实践。妈祖(Mak Co)的神话是拉塞姆渔民、水手和普通人的保护者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mythologization of The Goddess Mazu: Readings through Spacial Setting and Activity in the Interior of Cu An Kiong Temple
This study aims to understand the myth of the Goddess Mazu in Lasem City, Central Java. The research was conducted by observing the interior space at Cu An Kiong (CAK), the oldest temple in Lasem City. This study uses a verbal communication approach from Rapoport (1982) and a cultural approach from Koentjaraningrat (2015) to explore human relations with their environment and explain phenomena that exist in the research object. The research found that there is an exaltation space in this Mazu temple; this space is placed on the axis of space and time, it is to see the meaning of the space that has been built is practiced by the whole community, both the Chinese and the Javanese ethnicities, in a continuous flow of time from the first time the temple was built until now, as well as providing an interpretation of the phenomenon which are actually happened in Lasem. Based on the research, it can be concluded that the exaltation space shows the mythical practice of the Goddess Mazu by the local community, both Chinese and Javanese ethnicities. The mythology of Goddess Mazu, or Mak Co, is the protector of fishermen, sailorman, and common people in Lasem.  
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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