审美认知失调。通过新媒体探讨行为、价值观和体验

IF 0.2 0 PHILOSOPHY
A. Mróz
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引用次数: 2

摘要

美学不仅被认为是一种艺术或美的理论,而且还包括感性、经验、判断和关系。本文对斯蒂格勒的美学战争(停滞)和象征苦难的概念进行了研究。符号暴力是通过失去个性化和参与符号的创造而随之而来的。在新自由主义的超工业社会中,由于市场价值与精神价值之间的斗争,人类生活和意识已经变得可以计算,这阻止了人们对与我们的保留装置、技术和记忆有关的符号产生情感和有意义的依恋。这种紧张可以被认为是社会生活、私人和公共重叠领域之间的不和谐。新媒体是一种审美失调的反映,一种同时感到无聊和娱乐的体验,一种对立的体验、价值观和行为之间的体验。此外,新媒体既是一种定制个人审美体验的媒介,也是一种优先考虑可计算性和消费者行为建模的威胁和实践,有利于资本主义的有效性,这导致将个人同时分类为数据点,使那些不符合算法前提的人处于不利地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aesthetic dissonance. On behavior, values, and experience through new media
Aesthetics is thought of as not only a theory of art or beauty, but also includes sensibility, experience, judgement, and relationships. This paper is a study of Bernard Stiegler’s notion of Aesthetic War (stasis) and symbolic misery. Symbolic violence is ensued through a loss of individuation and participation in the creation of symbols. As a struggle between market values against spirit values human life and consciousness within neoliberal hyperindustrial society has become calculable, which prevents people from creating affective and meaningful attachments to symbols in relation to our retentional apparatuses, technology and memory. Such tension can be thought of as a dissonance between overlapping domains of social life, private and public. New Media is a reflection of aesthetic dissonance, an experience such as being bored and entertained at the same time, between antagonistic experiences, values, and behavior. Moreover, new media is at once a medium of customizing aesthetic experience individually as well as the threat and practice of prioritizing calculability and modeling of consumer behavior in favor of capitalistic effectiveness, which results in the simultaneous categorization of an individual as a data point, putting those who do not fit an algorithm’s premises at a disadvantage.
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