梦想的牛奶

Paula Zambrano
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引用次数: 3

摘要

《梦的牛奶》的名字取自超现实主义艺术家利奥诺拉·卡灵顿(Leonora Carrington, 1917-2011)的一本书,在书中,这位超现实主义艺术家描述了一个神奇的世界,在这个世界里,生活通过想象力的棱镜不断被重新设想。在这个世界里,每个人都可以改变,被改造,成为别人;一个自由的世界,充满了可能性。但它也是一个世纪的寓言,这个世纪给自我的定义施加了难以忍受的压力,迫使卡灵顿进入了流亡的生活:被关在精神病院,是一个永恒的魅力和欲望的对象,但也是一个惊人的力量和神秘的人物,总是逃离固定的、连贯的身份的束缚。当被问及她的出生时,卡灵顿会说,她是她母亲与一台机器相遇的产物,这暗示了人类、动物和机械的奇怪结合,这在她的大部分作品中都有体现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Milk of Dreams
The Milk of Dreams takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. It is a world where everyone can change, be transformed, become something or someone else; a world set free, brimming with possibilities. But it is also the allegory of a century that imposed intolerable pressure on the definition of the self, forcing Carrington into a life of exile: locked up in mental hospitals, an eternal object of fascination and desire, yet also a figure of startling power and mystery, always fleeing the strictures of a fixed, coherent identity. When asked about her birth, Carrington would say she was the product of her mother’s encounter with a machine, suggesting the same bizarre union of human, animal, and mechanical that marks much of her work.
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