女性在艺术中的形象与角色:从中世纪贤惠的神秘主义者到今天广告中的反常人物

Q3 Arts and Humanities
Anastasis Pub Date : 2021-11-29 DOI:10.35218/armca.2021.2.07
Aida Ioana Furnica Slusaru
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引用次数: 0

摘要

由于各种历史记载的原因,女性一直被认为是美德或堕落的典范。在这篇文章中,我们首先关注的是中世纪彩绘手稿中反映的女性形象,这些手稿中的女性形象主要来自修道院的神秘主义者、圣徒、母亲、陷入困境的少女、田野里的劳动者,甚至是性格不好的女性。除此之外,我们还提到妇女作为《手稿》的作者和插图画家的作用。其次,我们简要地看一下现代西方艺术,它以中世纪艺术的遗产为基础,进一步延续了女性的刻板形象,系统地将她们物化。第三,也是最后,我们研究了这是如何影响今天的广告对女性的描绘,勾勒出鲜明的特征。视觉话语强调某些身体和道德特征,这些特征又以陈腐的形象为基础,强调大多是颓废的被动态度和姿势或顺从的角色。目前的研究是定量和定性的,以案例研究为基础,并在《中世纪照明艺术》和《今天的广告和大众传媒》的文章中提到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Women’s image and role in art: from Medieval virtuous mystics to today’s Advertising perverse figures
: For various historically documented reasons, women have always been considered a paradigm of either virtue or perversion. In this article, we focus firstly on the image of women as reflected in medieval illuminated manuscripts, where portrayals raged from mainly mystics in convents, saints, mothers, damsels in distress, labourers in the fields and even women of ill character. Apart from that, we mention the role of women as writers and illustrators of Manuscripts. Secondly, we have a brief look at modern western art, based on the heritage of medieval art, that carries on even further the stereotyped image of women, systematically objectifying them. Thirdly and finally, we examine how this has influenced today's advertising depictions of women, outlined with distinctive characteristics. The visual discourse emphasizes certain physical and moral traits based again on clichés, stressing mostly decadent passive attitudes and poses or submissive roles. The present research is quantitative and qualitative, based on case studies and referred in articles on Medieval Illuminated Art and Today's Advertising and Mass Media.
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来源期刊
Anastasis
Anastasis Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
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审稿时长
15 weeks
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