嘲笑“年轻的公牛”:内战漫画中的美国权威

IF 0.1 0 LITERATURE, AMERICAN
Sarah J. Sillin
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引用次数: 0

摘要

摘要:本文借鉴美国文学的跨国研究方法,重新审视美国内战漫画中的政治问题。先前的研究分析了亲联邦和邦联的期刊是如何讽刺敌人和自己来支持各自的事业的,我想问的是,关于外国遭遇的笑话有什么利害关系。在大多未经研究的幽默杂志《扬基观念》中,漫画不断触及对战争将削弱美国地位的担忧,以及对联邦军胜利将巩固美国全球权威的幻想。漫画努力通过修改熟悉的漫画来控制这些情绪。通过这样做,他们含蓄地向读者保证,美国人对外国人民和他们自己都有足够的了解,可以忽略国际关系。此外,该杂志还定义了值得了解的人,因为它关注欧洲如何看待美国,反之亦然。这些漫画由此断言,表面上的白人文明帝国承认联邦与他们平等,同时回避了有色人种如何看待美帝国主义的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Laughing at “Young Bull”: American Authority in Civil War Cartoons
Abstract:Drawing on transnational approaches to American literature, this essay reconsiders the politics of US Civil War cartoons. Whereas prior studies analyze how pro-Union and Confederate periodicals satirize both the enemy and themselves to bolster their respective causes, I ask what is at stake in jokes about foreign encounters. In the largely unstudied humor magazine Yankee Notions, cartoons persistently touch on fears that the war would weaken the country’s status and fantasies that Union victory could affirm US global authority. The cartoons strive to manage these sentiments by revising familiar caricatures. In so doing, they implicitly assure readers that Americans understand foreign peoples and themselves well enough to make light of international relations. Moreover, the magazine defines who is worth knowing, as it focuses on how Europe views the United States and vice versa. The cartoons thereby assert that ostensibly white, civilized empires recognize the Union as their equal, while occluding questions of how peoples of color view US imperialism.
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