Tele-kiss。白南准在禅宗的光照下扩大了媒体

Q4 Arts and Humanities
Kamil Lipiński
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引用次数: 0

摘要

本文从禅宗的角度对白南准的影像艺术扩张思想进行了概览。他的作品被认为是他将艺术理论与实践结合的最重要的例子,其标志是一种发人深省的参与式文化的愿景,在后工业社会的网络之间交流。我们的目的是重新审视他对电视文化的态度,在东西方目光的摇摆中,考虑到禅宗宗教信仰所带来的空虚和冥想问题。在讨论他的装置作品时,特别强调重建他的内在洞察,即在通信网络的闭路中嵌入观看和观看的主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tele-kiss. Nam-June Paik’s expanded media in the light of Zen Buddhism
The article offers a broad overview of Nam-June Paik’s ideas of the expansion of video arts interpreted in the light of Zen Buddhism. His works recognized as the most significant examples of his marriage between the art theory and practice are marked by a thought-provoking vision of participatory culture, communicated in-between the networks in the post-industrial society. Our purpose is to reexamine his attitude to TV culture in the oscillation between Western and Eastern gaze considered in connection to the problems of emptiness and meditation drawn from Zen religious beliefs. In discussing his installations there is special stress to reconstruct his inner-insight into the subject of seeing and watching inscribed in a closed-circuit of the communication network.
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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