艺术中真理问题的起源

Liu Xuguang
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引用次数: 0

摘要

尽管古希腊哲学将真理与艺术相结合以“拯救现象”,但哲学家们对艺术的看法很狭隘,把“真理”作为唯一的衡量标准。因此,人们如何从本体论的角度来确立艺术的真实性这一美学的本质问题就产生了。对艺术真实性的思考最初是在三个方面进行的。首先是“诗”与“哲学”之争;第二个问题是“手艺”是否可以成为一种了解真理的途径;三是神话与逻各斯的冲突。柏拉图所揭示的神话,为此后两千年艺术真实性的展开和深化奠定了基础,从而在认识论上为艺术的真实性奠定了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Origin of the Question of Truth in Art
Even though Ancient Greek philosophy combined truth with art so as to “ save the phenomena ” , philosophers treated art narrowly and re garded “ truth ” as the only yardstick. Consequently, the essential issue of aesthetics that how people establish the truthfulness of art in terms of ontology arose. Thought to the truthfulness of art was initially carried out in three aspects. First is the battle between “ poetry ” and “ philosophy ” ; the second is whether “ crafts ” could be an approach to knowing truth; third is the conflict between the mythos and the logos. The mythos uncovered by Plato has laid the foundation for unfolding and deepening the truthfulness of art for the following two thousand years, thus preparing the ground for the truthfulness of art in terms of epistemology.
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