{"title":"关于数字时代的钱德勒大屠杀记忆","authors":"Shaina Hammerman","doi":"10.13110/jewifilmnewmedi.8.1.0117","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"9 1","pages":"117 - 121"},"PeriodicalIF":0.1000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Shandler's Holocaust Memory in the Digital Age\",\"authors\":\"Shaina Hammerman\",\"doi\":\"10.13110/jewifilmnewmedi.8.1.0117\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":40351,\"journal\":{\"name\":\"Jewish Film & New Media-An International Journal\",\"volume\":\"9 1\",\"pages\":\"117 - 121\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Film & New Media-An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/jewifilmnewmedi.8.1.0117\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/jewifilmnewmedi.8.1.0117","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
期刊介绍:
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.