奥苏纳十二世公爵,介于贵族精神和纨绔子弟之间。这是俄罗斯大使馆的荣誉

J. Pajarín Domínguez
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引用次数: 0

摘要

俄国和西班牙在1856年重新建立了外交关系,此前两国在卡尔主义问题上的分歧导致了长达20年的外交危机。奥苏纳十二世公爵马里亚诺Téllez-Girón被任命为俄罗斯法院的全权公使,标志着两国之间的友好和解。然而,这首先意味着对西班牙贵族的重申,他们在俄罗斯王室和公共领域留下了自己的印记。奥苏纳公爵知道如何获得沙皇的信任,并表现出他的荣誉感,充满了贵族精神和欧洲花花公子。这幅作品提供了奥苏纳公爵在圣彼得堡大使馆的肖像,在西班牙自由主义理想的背景下,纨绔子弟作为资产阶级荣誉的新原型。由俄罗斯大使馆秘书胡安·瓦莱拉(Juan Valera)撰写的《来自俄罗斯的信件》有助于理解奥苏娜在亚历山大二世宫廷中展示的有争议的形象。公爵不仅适应了俄国贵族和专制的习俗,而且对贵族的形象也有了独特的理解,这使得他驳斥了西班牙周围现存的刻板印象,也巩固了伊丽莎白女王的威望,不仅得到了俄罗斯的正式承认,也得到了其他国家的正式承认。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The XII Duke of Osuna, between aristocratic spirit and Dandy. The Russian embassy as a matter of honor
Russia   and  Spain re-established  relations  in  1856  after a  two-decade  diplomatic crisis  caused  by disagreements  over   Carlism. The  appointment of  Mariano  Téllez-Girón,  XII   Duke  of  Osuna,  as the  plenipotentiary minister  in the  Russian  court signaled a friendly reconciliation between the  two  countries.  However, it meant above all the  reaffirmation of the  Spanish nobleman, who  left his mark  on the  Russian  royal  and public  sphere.  The  Duke of Osuna knew  how to gain the   Tsar’s trust and displayed his  sense of  honor,   imbued with   the   aristocratic  spirit   and  the   European  dandy.   This  work provides a portrait of the  Duke of Osuna during  his embassy in Saint Petersburg, against the  backdrop of the  ideal of Spanish liberalism, and of the  dandy as a new  archetype of bourgeois honor.  The Letters from   Russia,   by Juan  Valera,  secretary of  that embassy,  help   to understand the  controversial image displayed by Osuna in the  Court of Alexander II. The Duke not only adapted to the  Russian  noble and autocratic  customs,  but   also   presented a very  particular way   of understanding the  figure of the  nobleman, which allowed him to refute the  existing stereotypes around Spain, as well as reinforce the  prestige of  Queen Elizabeth,  formally  recognized  not only  by Russia,  but  by the  rest of the  powers.
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