研究回来的

IF 0.5 0 ARCHITECTURE
D. M. Addington
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引用次数: 0

摘要

我在哈佛大学GSD读博大约三年的时候,有三个问题,或者更准确地说,是对我工作的三个挑战。就背景而言,我是最初一波痴迷于所有“智能”事物的学术研究人员和实践者中的一员,特别是墙壁,无论其名称如何,都使它们在技术上先进,功能上,如果不是形式上新颖的话:智能皮肤,智能立面,表演玻璃,互动表面,自适应信封。受詹姆斯·马斯顿·费奇的影响深远的著作《美国建筑:塑造它的环境力量》封面的启发,该书将建筑围护结构描述为调节所有环境现象的媒介,我计划开发一种墙壁系统来控制所有尺度的热量传递,从而覆盖热、光和声学行为——最终的智能墙。第一个挑战来自我的一位机械工程博士导师,他一直问我的假设是什么。我以为他根本不明白;在建筑学中,我们处理大的想法。第二个挑战来自我的环境健康博士导师,他一直在方法上催促我。我如何确定我生产的产品的价值呢?我的标准是什么?我认为他不明白真正的创新超越了已知的界限,不应该受到可衡量标准的限制。第三个挑战是当我上了一门关于柏拉图和苏格拉底的课程时,我发现我的作品并没有受到热烈的欢迎。我希望能像以前所有的建筑学课一样出色,但我却因为对苏格拉底论证的过于个人化的重新解释而受到严厉的批评。就在那时,我开始意识到,我作为论文提出的论点不过是一个空容器,是为了掩盖根本没有论文的事实。我的整个方法都是基于我想做什么,想做什么,并且我通过自我确定测量结果的标准和结果的最终价值来证明项目的合理性。我完全被困在我个人观点的封闭循环中。所以我改变了我的论点:我没有采用技术先进的智能墙,而是将智能直接转移到大气物理现象上,这是我们迄今为止归因于墙壁的。这是一个很大的转变,我的假设和方法被我谨慎的顾问们认为是可以接受的。虽然我为最终的论文感到自豪,但这只是我一生中重新思考和重新评估我们的专业如何提出研究问题,如何为其方法带来客观性,最重要的是,如何构建有意义的贡献的第一步。在这一过程中,我经历了许多失误和缩减,我很感激那些勇敢的博士生,他们在我测试和退出不同的方法路径时,一直陪伴着我。下面的观察回顾了过去的几十年,并提出了我们如何进行研究的几个特征,特别是那些解决我们生产什么和如何生产的物理方面的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research Redux
TA D 5 : 1 Research Redux I was about three years into my doctoral studies at Harvard’s GSD when three questions, or more accurately, three challenges to my work, were posed. For context, I was part of the initial wave of academic researchers and practitioners who were enamored with all things “smart,” particularly walls in whatever nominative designation rendered them as technologically advanced and functionally, if not formally novel: smart skins, intelligent facades, performative glazing, interactive surfaces, adaptive envelopes. Inspired by the cover of James Marston Fitch’s seminal text, American Building: The Environmental Forces That Shape It, depicting a building envelope as mediating the full sweep of environmental phenomena, I planned to develop a wall system to control all scales of heat transfer, thereby covering thermal, luminous, and acoustic behaviors—the ultimate smart wall. The first challenge came from one of my doctoral advisors in Mechanical Engineering who kept asking me what my hypothesis was. I thought he simply didn’t understand; in Architecture, we dealt with big ideas. The second challenge came from my doctoral advisor in Environmental Health, who kept pressing me on method. How was I going to determine the value of what I produced? What were my criteria? I thought he didn’t understand that true innovation lay beyond the bounds of the known and should not be constrained by the limits of measurable criteria. The third challenge lit the proverbial light bulb when I took an undergraduate course on Plato and the Socratic Elenchus and discovered my writing less than enthusiastically received. I expected to excel as I had in all of my previous classes in Architecture, but I was instead roundly criticized for my overly personal reinterpretation of Socrates’ argument. It was at that point I began to realize the argument I put forward as a thesis was but an empty vessel, a diversion to obscure that there was indeed no thesis. My entire approach was predicated on what I wanted to do, to make, and I justified the project by self-determining both the criteria for measuring the results and the ultimate value of the results. I was completely trapped in the closed circularity of my personal view. So I inverted my thesis: instead of technologically advanced smart walls, I shifted the smartness directly to the atmospheric physical phenomena that we had heretofore attributed to the walls. It was enough of a shift that the hypothesis and method were deemed acceptable by my circumspect advisors. While I am proud of the resulting thesis, it was only a first step toward a lifelong rethinking and reassessment of how our profession develops research questions, brings objectivity to its methods, and, most importantly, frames meaningful contribution. There have been many missteps and retrenchments along the way, and I am grateful to the intrepid doctoral students who hung in there with me as I tested and retreated from different methodological paths. The following observations look back over those decades and put forward several characteristics of how we approach research, particularly research that addresses the physical aspects of what and how we produce.
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来源期刊
Technology Architecture and Design
Technology Architecture and Design Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
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发文量
18
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