{"title":"未来是女性的!雪儿和阿诺妮的跨性别(人类)声音","authors":"Konrad Sierzputowski","doi":"10.24917/20837275.13.2.2","DOIUrl":null,"url":null,"abstract":"In this article, I want to present trans(human) Cher and Anohni’s voice qualities. Both singers represent ambiguous and queer forms of femininity that denaturalizes the concept of gender and entangles the listener into a transgressive aesthetic experience. By using the cyborg metaphor proposed by Donna Haraway and the concept of the grain of voice by Roland Barthes, I want to show how a female voice can become a critical form of resistance to the patriarchal and misogynistic conception of femininity.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"74 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Future is Female! Trans(human) Voices of Cher and Anohni\",\"authors\":\"Konrad Sierzputowski\",\"doi\":\"10.24917/20837275.13.2.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, I want to present trans(human) Cher and Anohni’s voice qualities. Both singers represent ambiguous and queer forms of femininity that denaturalizes the concept of gender and entangles the listener into a transgressive aesthetic experience. By using the cyborg metaphor proposed by Donna Haraway and the concept of the grain of voice by Roland Barthes, I want to show how a female voice can become a critical form of resistance to the patriarchal and misogynistic conception of femininity.\",\"PeriodicalId\":30927,\"journal\":{\"name\":\"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura\",\"volume\":\"74 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24917/20837275.13.2.2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24917/20837275.13.2.2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Future is Female! Trans(human) Voices of Cher and Anohni
In this article, I want to present trans(human) Cher and Anohni’s voice qualities. Both singers represent ambiguous and queer forms of femininity that denaturalizes the concept of gender and entangles the listener into a transgressive aesthetic experience. By using the cyborg metaphor proposed by Donna Haraway and the concept of the grain of voice by Roland Barthes, I want to show how a female voice can become a critical form of resistance to the patriarchal and misogynistic conception of femininity.