Pauliina Latvala-Harvilahti
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引用次数: 0

摘要

在本研究中,泥沼被视为活的遗产和体验景观。沼泽形成了界面的文化背景,在这里,人类与沼泽关系的心理景观被各种类型的艺术项目所代表和更新。作为艺术家对气候危机的全球关注的一部分,交织在一起的环境挑战通过沼泽艺术项目被突出。本文以芬兰的12个半结构化访谈为基础,考察了艺术家对泥沼和泥沼景观艺术的主观感知、表达和体验。艺术家使用文化上可持续的方法,例如,他们在艺术项目中参与当地的紧张局势和泥潭用户。泥沼艺术突出泥沼的动植物,说明泥沼的变化。泥沼艺术通过参与公众对泥沼保护和环境价值的讨论,调解未来、社会和环境之间的关系。沼泽的生物文化遗产包括生物多样性的价值、当地知识、经历过的景观和与地方有关的记忆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kohtaamispaikkana suo
In this study, mires are regarded as living heritage and experienced landscapes. Mires form a cultural context for interface, where the mindscape of human-mire relationships are represented and renewed by diverse types of art projects. As a part of the global concern on climate crisis among artists, intertwined environmental challenges are highlighted through mire art projects. Based on the 12 semi-structured interviews in Finland, artists’ subjective perceptions, expressions and experiences on mires and art in mire landscapes are examined. Artists use culturally sustainable methods, e.g., they engage local tensions and mire users in their art projects. Mire art highlights the flora and fauna of mire and illustrates changes in mire. Mire art mediates the relation between future, society and environment by participating in public discussion on the protection and environmental values of mire. The biocultural heritage of mires consists of e.g., value of biodiversity, local knowledge, experienced landscapes and place related memories.
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