IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
A. Spicer
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引用次数: 3

摘要

摘要:《感性的图画》(1658)是捷克改革家Jan Amos Komenský (Comenius)教学计划中的一个重要组成部分。通过使用带有关联键的插图,它旨在教育幼儿关于他们在周围世界中看到的物品和活动的名称和术语。虽然这部作品的重要性早已得到认可,并在更广泛的背景下研究了夸美纽斯的哲学思想,但相对而言,很少有人关注这部作品中的插图。这篇文章的目的是研究《淫欲之神》中对宗教信仰的描绘,并证明,尽管夸美纽斯拒绝承认信仰的差异,但他们从路德教的角度描绘了基督教的崇拜和宗教实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Religious Representation in Comenius's Orbis sensualium pictus (1658)*
ABSTRACT The Orbis sensualium pictus (1658) was an important element in the pedagogical programme of the Czech Reformer, Jan Amos Komenský (Comenius). Through the use of illustrations with an associated key, it was intended to educate young children about the names and terms of items and activities that they saw in the world around them. Although the significance of the work has long been recognised and has been studied in the wider context of Comenius’ philosophical ideas, comparatively little attention has been paid to the illustrations in this work. The intention of this article is to examine the portrayal of religious faiths in the Orbis sensualium pictus as well as to demonstrate that, in spite of Comenius's rejection of confessional differences, they depict Christian worship and religious practice from a largely Lutheran perspective.
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来源期刊
REFORMATION & RENAISSANCE REVIEW
REFORMATION & RENAISSANCE REVIEW MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
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10
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