{"title":"玛丽·r·德斯加丁著,《再循环的明星:电视和录像时代的女影星》","authors":"C. Bednarz","doi":"10.5860/choice.191552","DOIUrl":null,"url":null,"abstract":"Recycled Stars: Female Film Stardom in the Age of Television and Video is the culmination of Mary R. Desjardins’s years of study and work on stars, fandom, and the film industry. Desjardins’s book bridges the gap from film to television stardom in two different time periods: from 1948 to 1960 and then through the 1980s and 1990s. This focus through time is to show how these stars are “recycled” or “to expose who is invested in and who profits from the reemergence or sustained popularity of particular stars” (p. 3). Emphasizing female stars in particular is reflective of the fact that women were under particular scrutiny to maintain a certain identity both onand off-screen. A handful of stars—Gloria Swanson, Loretta Young, Mary Astor, Ida Lupino, Lucille Ball, and Maureen O’Hara—are examined more closely because of their experience transitioning to new media while attempting to maintain a certain image. In this way, this book is not just another biographical star study or historical piece. Rather, Desjardins uses a multidisciplinary approach to discuss the recycling of stars. Although film and television studies play a prominent role throughout the piece, there are also significant elements of critical cultural and feminist theories.","PeriodicalId":51388,"journal":{"name":"International Journal of Communication","volume":"24 1","pages":"2"},"PeriodicalIF":1.9000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video\",\"authors\":\"C. Bednarz\",\"doi\":\"10.5860/choice.191552\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recycled Stars: Female Film Stardom in the Age of Television and Video is the culmination of Mary R. Desjardins’s years of study and work on stars, fandom, and the film industry. Desjardins’s book bridges the gap from film to television stardom in two different time periods: from 1948 to 1960 and then through the 1980s and 1990s. This focus through time is to show how these stars are “recycled” or “to expose who is invested in and who profits from the reemergence or sustained popularity of particular stars” (p. 3). Emphasizing female stars in particular is reflective of the fact that women were under particular scrutiny to maintain a certain identity both onand off-screen. A handful of stars—Gloria Swanson, Loretta Young, Mary Astor, Ida Lupino, Lucille Ball, and Maureen O’Hara—are examined more closely because of their experience transitioning to new media while attempting to maintain a certain image. In this way, this book is not just another biographical star study or historical piece. Rather, Desjardins uses a multidisciplinary approach to discuss the recycling of stars. Although film and television studies play a prominent role throughout the piece, there are also significant elements of critical cultural and feminist theories.\",\"PeriodicalId\":51388,\"journal\":{\"name\":\"International Journal of Communication\",\"volume\":\"24 1\",\"pages\":\"2\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2017-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Communication\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.5860/choice.191552\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.5860/choice.191552","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
《再循环的明星:电视和录像时代的女性电影明星》是Mary R. Desjardins多年来对明星、影迷和电影工业的研究和工作的结晶。Desjardins的书跨越了两个不同的时期,从1948年到1960年,然后是20世纪80年代和90年代,从电影到电视明星。这种通过时间的关注是为了展示这些明星是如何被“循环利用”的,或者“暴露谁被投资了,谁从某些明星的重新出现或持续流行中获利”(第3页)。特别强调女明星反映了这样一个事实,即女性在银幕内外都受到了特别的审查,以保持某种身份。少数几位明星——格洛丽亚·斯旺森、洛丽塔·杨、玛丽·阿斯特、艾达·卢皮诺、露西尔·鲍尔和莫林·奥哈拉——因为她们在试图保持某种形象的同时过渡到新媒体的经历而得到了更密切的研究。这样,这本书就不仅仅是另一本传记明星研究或历史作品了。相反,Desjardins使用多学科方法来讨论恒星的回收。虽然电影和电视研究在整个作品中发挥了突出作用,但也有重要的文化批判和女权主义理论元素。
Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video
Recycled Stars: Female Film Stardom in the Age of Television and Video is the culmination of Mary R. Desjardins’s years of study and work on stars, fandom, and the film industry. Desjardins’s book bridges the gap from film to television stardom in two different time periods: from 1948 to 1960 and then through the 1980s and 1990s. This focus through time is to show how these stars are “recycled” or “to expose who is invested in and who profits from the reemergence or sustained popularity of particular stars” (p. 3). Emphasizing female stars in particular is reflective of the fact that women were under particular scrutiny to maintain a certain identity both onand off-screen. A handful of stars—Gloria Swanson, Loretta Young, Mary Astor, Ida Lupino, Lucille Ball, and Maureen O’Hara—are examined more closely because of their experience transitioning to new media while attempting to maintain a certain image. In this way, this book is not just another biographical star study or historical piece. Rather, Desjardins uses a multidisciplinary approach to discuss the recycling of stars. Although film and television studies play a prominent role throughout the piece, there are also significant elements of critical cultural and feminist theories.
期刊介绍:
The International Journal of Communication is an online, multi-media, academic journal that adheres to the highest standards of peer review and engages established and emerging scholars from anywhere in the world. The International Journal of Communication is an interdisciplinary journal that, while centered in communication, is open and welcoming to contributions from the many disciplines and approaches that meet at the crossroads that is communication study. We are interested in scholarship that crosses disciplinary lines and speaks to readers from a range of theoretical and methodological perspectives. In other words, the International Journal of Communication will be a forum for scholars when they address the wider audiences of our many sub-fields and specialties, rather than the location for the narrower conversations more appropriately conducted within more specialized journals. USC Annenberg Press USC Annenberg Press is committed to excellence in communication scholarship, journalism, media research, and application. To advance this goal, we edit and publish prominent scholarly publications that are both innovative and influential, and that chart new courses in their respective fields of study. Annenberg Press is among the first to deliver journal content online free of charge, and devoted to the wide dissemination of its content. Annenberg Press continues to offer scholars and readers a forum that meets the highest standards of peer review and engages established and emerging scholars from anywhere in the world.