看和听的不同:犯罪和轻罪,撒母耳记下11-12和#Metoo

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Wendy Zierler
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引用次数: 0

摘要

摘要:本文旨在回顾并“重听”伍迪·艾伦的电影《罪与轻罪》,以及圣经文本《撒母耳记下》11-12章中大卫和拔示巴的故事,这是在特朗普当选总统之后,并考虑到#MeToo运动。本文采用了我的书《电影与米德拉什》(Movies and Midrash)中使用的解释方法,以及伊夫林·福克斯·凯勒(Evelyn Fox Keller)和米兰达·弗里克(Miranda Fricker)的女权主义认识论见解,重点关注并批评了伍迪·艾伦电影中那些可能被抛弃的、喜剧的、与# metoo相关的时刻,这些时刻通常不会在评论界和犹太人对这部电影的解读中被提及,包括我自己的书。然后,它为大卫和拔示巴的故事提供了一个当代的、#MeToo的、女权主义的、米德拉什式的细读。在大卫和拔示巴的故事中,男人和阳刚的上帝都被描绘成远眺,但实际上只有拔示巴能听到。这篇文章的目的是参与自我观察,重新倾听和建设性的重新解释的练习,这也说明了更广泛的历史,认识论和解释学的转变,使我们作为一种文化以不同的方式阅读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Looking and Listening Differently: Crimes and Misdemeanors, II Samuel 11–12 and #Metoo
Abstract:This article sets out to look back at and “rehear” a film, Woody Allen’s Crimes and Misdemeanors, and a biblical text, the story of David and Bathsheba in II Samuel 11–12, in the aftermath of the Trump presidency and in light of the #MeToo movement. Employing the interpretive method used in my book, Movies and Midrash, as well as the feminist epistemological insights of Evelyn Fox Keller and Miranda Fricker, the article concentrates on and critiques the would-be throwaway, comic, #Metoo-relevant moments of the Woody Allen film, those not typically addressed in critical and Jewish interpretations of the film, including my own book. It then offers a contemporary, #MeToo, feminist, midrashic close reading of the David and Bathsheba story. Throughout the David and Bathsheba narrative, men and a masculine God are depicted as seeing, often broadly and from a distance, but only Bathsheba actually hears. The aim of the article is to engage in an exercise in self-observation, re-listening and constructive re-interpretation that also speaks to the kind of broader historical, epistemological and hermeneutical shifts that allow us as a culture to read differently.
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CiteScore
0.40
自引率
50.00%
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