中间的空间:对一部关于道德伤害和向平民生活过渡的研究型戏剧的注释

IF 0.7 Q4 PUBLIC, ENVIRONMENTAL & OCCUPATIONAL HEALTH
L. Spring
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引用次数: 0

摘要

军事创伤的主流生物医学框架和由此产生的心理健康问题的治疗方法有时可能不适合军人和退伍军人,并有可能个体化和病态化人类对道德伤害核心情绪的正常反应。因此,哲学和美学的探索是必要的。这个以研究为基础的戏剧项目的灵感来自乔纳森·谢伊(Jonathan Shay)的作品,他从古希腊戏剧中发展了他的道德伤害概念,并认为治愈只能在社区中进行。对9名加拿大武装部队退伍军人的深入采访导致了一个基于研究的戏剧的创作,其中每个场景都代表了在采访期间或之后确定的一个主要主题(家庭,背叛,兄弟情谊和母亲,公共荣誉,疾病和应对)。次要主题(英雄主义,身体,军事化的男子气概,女性的角色)在剧中变得更小或过渡场景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The space in between: Notes on a research-based play about moral injury and the transition to civilian life
LAY SUMMARY Dominant biomedical framings of military trauma and resulting treatment approaches for mental health issues can sometimes fall short for military members and Veterans and risk individualizing and pathologizing normal human reactions to the emotions at the core of moral injury. As such, philosophical and aesthetic exploration are warranted. This research-based theatre project was inspired by the work of Jonathan Shay, who looked to ancient Greek theatre to develop his concept of moral injury and argued that healing can only take place in community. In-depth interviews with nine Canadian Armed Forces Veterans led to the creation of a research-based play in which each scene represents one of the major themes identified during or after interview sessions (family, betrayal, brotherhood and mothering, public honour, sickness and coping). Sub-themes (heroism, the body, militarized masculinity, the role of women) became smaller or transition scenes in the play.
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来源期刊
CiteScore
1.60
自引率
11.10%
发文量
72
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