感受恐惧,无论如何都要去做

Jytte Holmqvist
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引用次数: 0

摘要

这一诗意的分析质疑,在大流行现实中断的时代,作为人类和活着意味着什么。我们把克尔凯郭尔和我们同时代的路易丝·格尔联系在一起,因为他们都关注与恐惧作斗争的个人,他们以自己的方式蔑视规范和习俗。克尔凯郭尔在《田野的百合花和空中的鸟》(1849)一书中如何隐喻地向我们展示了在被认为较少的事物中寻找内心平静和慰藉的方式,并教导我们欣赏大自然中发现的神性?在《野鸢尾花》(1992)和《阿弗诺》(2006)这两部诗集中,gl ck教会了我们什么关于适应力的知识?这两者是如何在主题上融合并间接地倡导一种坚忍的生活,在这种生活中,我们以个人自由为最终目标,学会忍受痛苦和痛苦——把苦难作为前进的道路?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feel the fear and do it anyway
This poetic analysis queries what it means to be human and alive at a time of interrupted pandemic realities. We draw a link between Søren Kierkegaard and our contemporary Louise Glück in their focus on an individual battling with fears, who goes their own way defying norms and conventions. How does Kierkegaard in The lily of the field and the bird of the air (1849) metaphorically show us the way to finding inner peace and a sense of solace in that which is supposedly less, and teach us to appreciate the divinity found in nature? What does Glück teach us about resilience in collections of poetry The wild iris (1992) and Averno (2006)? How do the two thematically converge and indirectly advocate for a life of stoic resilience where, with individual freedom as our end goal, we learn to endure anguish and pain – embracing suffering as a way forward?
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