检测当代建筑中的恐惧症类型

IF 0.1 0 ARCHITECTURE
Fatima Ghosn, Loulwa Alama, M. Azhari
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引用次数: 2

摘要

从最广泛的意义上讲,恐惧症是一种非理性的恐惧或感觉,是一个人对周围或想象中可能发生的物体或特定情况产生的恐惧或感觉,它可能与动物、昆虫、海洋、火和高度等自然因素有关。此外,它可以与建筑环境和人造空间有关,或者更简单地说,与建筑有关。不幸的是,建筑师从标准化和规则转向创造创新和不规则的空间,这些空间反映在建筑的外部和内部设计中,而没有考虑到人们的恐惧症和焦虑症等负面后果。因此,本文旨在检测当代设计元素和表现形式对项目用户产生的恐惧症类型。为了达到主要目的,本文将从文献综述开始,基于书桌研究,定义恐惧症的含义,认识到它的类型和原因。然后,本文将重点介绍建筑恐惧症的历史背景,浏览以往关于当代建筑恐惧症的阅读资料。之后,研究将分析三个案例研究,分别是意大利南蒂罗尔的Roland Messner博物馆,里昂的mus des Confluences,拉斯维加斯的Lou Ruvo脑健康中心。通过分析,本研究将检测产生不同类型恐惧症的元素和表征,可以识别出这三个项目的空间是有意为之,还是部分用户的自发感受。另一个发现是,对批评的判断可以决定这些设计是否成功,通过使用这些令人兴奋的元素。总之,定义了一组刺激用户恐惧症的当代设计元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DETECTING TYPES OF PHOBIA IN CONTEMPORARY ARCHITECTURE
Phobia in its broadest sense is an irrational fear or feeling, created in a person toward an object or a certain situation that might happen around him or in his imagination and it can be related to natural elements such as animals, insects, oceans, fire and heights. Furthermore, it can be related to build environment and manmade spaces or more simply, to architecture. Unfortunately, architects shifted from the standardisation and regularity to creating innovative and irregular spaces that are reflected by the exterior and interior design of the building without having any concern of the negative consequences such as phobias and anxiety disorder among people. Therefore, this paper aims to detect the contemporary design elements and representations that generated types of phobias to the users of projects. To achieve the main aim, this paper will begin by literature review, based on desk research, defining the meaning of phobia, recognising its types and reasons. Then, the paper will highlight the historical background of phobia in architecture, browsing previous readings about the phobia in the contemporary architecture. After that, the research will analyse three case studies that are Roland Messner Museum in South Tyrol of Italy, The Musée des Confluences in Lyon, Lou Ruvo Centre for Brain Health in Las Vegas. Through the analysis, the research will detect the elements and representations that generated different types of phobias, it can be recognised if the spaces of these three projects targeted to generate phobia on purpose or it was a spontaneous feeling by some users. Another finding can be figured out, a judgment of criticism can determine if these designs were successful through using these thrilling elements or not. In conclusion, a set of contemporary design elements that stimulate phobia for users is defined.
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