亚历克西斯·赖特《天鹅之书》中沉默的后人文主义的措辞

IF 0.1 0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN
Iva Polak
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引用次数: 0

摘要

摘要:亚历克西斯·赖特的第三部小说《天鹅之书》(2013)广受好评,受到世界各地学者的广泛分析。不管这些解释网有多复杂,它们总是指的是遗忘乙基(ene),也就是遗忘。在这方面特别能说明问题的是,作为小说的主角和焦点的湮没者是一个不会说话的孩子。正如文章所示,赖特所谓的整体小说在她的大脑中构建了遗忘和病毒作为小说的叙述者,使她能够用语言和意义填满她无言的世界。因此,作为一个沉默的叙述者,湮没成为当代小说中最不可靠但同样也是最诚实、最肯定生命的故事讲述者之一。湮没的话语揭示了湮没者与非人类和非人类交流的能力,为那些乐于接受的读者讲述了在一个反抗后人类主义的世界里成为后人类意味着什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wording Mute Posthumanism in Alexis Wright's The Swan Book
Abstract:Alexis Wright's critically acclaimed third novel, The Swan Book (2013), has been analyzed profusely by scholars around the world. No matter how manifold these interpretative nets may be, they always refer to the character Oblivion Ethyl(ene), aka Oblivia. What is particularly telling in that regard is that Oblivia as the novel's protagonist and focalizer is a speechless child. As the article shows, Wright's so-called total novel constructs Oblivia and the virus in her brain as the novel's narrator(s), enabling her to fill her speechless world with words and meaning. Hence, as a mute narrator, Oblivia becomes one of the most unreliable but equally one of the most honest, life-affirming storytellers in contemporary fiction. The universe of her unspoken words reveals Oblivia's ability to communicate with the nonhuman and other-than-human, offering readers who are receptive a story about what it means to be posthuman in a world that defies posthumanism.
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来源期刊
Antipodes-A Global Journal of Australian/New Zealand Literature
Antipodes-A Global Journal of Australian/New Zealand Literature LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN-
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