大卫pena的亚特兰蒂斯杂志。在团结“美国灵魂”的动力和重申国家身份的强烈愿望之间

Q4 Arts and Humanities
Humanidades Pub Date : 2020-11-26 DOI:10.25185/8.7
María Gabriela Micheletti
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引用次数: 1

摘要

本文建议将《亚特兰蒂斯》杂志(布宜诺斯艾利斯,1911-1914)作为一种文化对象进行研究,并将其作为历史学家和作家大卫·佩纳的一个编辑项目。它对该出版物进行了一般性介绍,该出版物可被视为20世纪初西班牙裔美国人和阿根廷文化背景的表达。特别是,本书关注的是衡量其导演想要给它留下深刻印象的美国主义目的,同时确立了他对国家的关注是如何在出版轨迹中转化为三个明确的时刻的:五月一百周年纪念、1912年的选举改革和联社性。最后,也参考了Pena感兴趣的主题,它将其与阿根廷历史学科的发展联系起来。为了进行这项研究,我们对杂志的完整收藏进行了纵向研究,作为主要的信息来源,并与David Pena的个人档案和当时的其他出版物中查阅的文件进行了补充。这篇文章以分析为轴心,评估了其导演留下的印记,为这本迄今鲜有专家光顾的阿根廷文化杂志增添了知识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La revista Atlántida de David Peña. Entre el impulso por unir el «alma de la América» y la vehemencia por reafirmar lo nacional
This article proposes the study of Atlantida magazine (Buenos Aires, 1911-1914) as a cultural object, and as an editorial project by the historian and writer David Pena. It makes a general presentation of the publication, which can be considered an expression of the Hispanic-American and Argentine cultural context of the early 20th century. In particular, it is concerned with gauging the Americanist purpose that its director intended to impress upon it, while establishing how his concern for the national was translated into three defined moments in the trajectory of the publication: the Centennial of May, the electoral reform of 1912 and associative sociability. At last, and also with reference to Pena’s topics of interest, it places it in relation to the development of historical discipline in Argentina. To carry out this study, we worked longitudinally with the magazine’s complete collection, as the main source of information, which was complemented with documentation consulted in David Pena’s personal archive and in other publications of that time. From an axis of analysis that evaluates the imprint that its director marked, the article contributes to the knowledge of an Argentine cultural magazine so far little frequented by specialists.
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来源期刊
CiteScore
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