莎士比亚《理查二世》中女王的自负

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2020-03-12 DOI:10.1353/sel.2020.0001

C. Rosenfeld

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引用次数: 0

摘要

摘要:在莎士比亚的《理查二世》第二幕第二场中，女王知道一些别人不知道的事情:“一些未出生的悲伤，已在命运的子宫中成熟，/正向我走来。”批评倾向于将女王描述为英国君主制历史的必然未来，但本文认为，通过将“一些未出生的悲伤”放在“命运的子宫”而不是自己的子宫里，莎士比亚的女王知道未来事件的偶然性，而这些事件可能会发生。她把这种形式的知识称为“自负”:一种用奥卡姆剃刀的优雅代替了诗意世界的精致结构的图形化语言。

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The Queen’s Conceit in Shakespeare’s Richard II

Abstract:In act II, scene ii of Shakespeare’s Richard II, the Queen knows something that no one else knows: “Some unborn sorrow, ripe in Fortune’s womb, / Is coming towards me.” Criticism has tended to describe the Queen as giving birth to the necessary future of English monarchical history, but this article argues that by placing “Some unborn sorrow” in “Fortune’s womb” rather than her own, Shakespeare’s Queen knows the contingency of a future event that could have gone otherwise than it will. Her word for this form of knowledge is the “conceit”: a figured piece of language that substitutes the elegance of Occam’s Razor for the elaborate infrastructure of a poetic world.

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.