《暮光之城》中的存档

IF 0.1 3区 艺术学 0 THEATER
Patrick Scorese
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引用次数: 0

摘要

随着新冠肺炎疫情连续第三年笼罩全球,它对戏剧的影响——与其他一切一样——不容忽视。刚刚过了一段时间,戏剧从业者和学者们的许多实质性作品中的第一部就出现了,并评估了戏剧在这个过程中蓬勃发展并帮助我们生存的方式。芭芭拉·富克斯的“封锁剧院”和Caridad Svich的“走向未来剧院”就是两个这样的项目,为这个不断发展的语料库提供了启示。这些书讲述了一大批戏剧制作人如何在持续的健康危机中推进他们的作品。艺术家和观众的新角色正在形成,而生活、共同存在和共同时间性的细微差别正在受到考验,因为现场艺术家转移到网上,发现数字空间可以真正现场,距离并不是那么遥远。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Archiving in Twilight
As the Covid pandemic casts its shadow over the globe for a third year, its impact on theatre—as with everything else—cannot be ignored. Just enough time has passed for the first of many substantial works by theatre practitioners and scholars to emerge and assess the ways in which theatre has thrived and helped us to survive in the process. Barbara Fuchs’s Theater of Lockdown and Caridad Svich’s Toward a Future Theatre are two such projects, casting light on this evolving corpus. The books consider a vast array of theatre-makers as they advanced their works through the ongoing health crisis. New roles for both artist and spectator are taking shape while the nuances of liveness, co-presence, and co-temporality are tested as live artists move online to discover that the digital space can be genuinely live, and distance is not so far away.
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CiteScore
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发文量
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