{"title":"“我在这里”:大卫·福斯特·华莱士《无尽的玩笑》与弗朗茨·卡夫卡《变形记》的比较解读","authors":"A. den Dulk","doi":"10.30687/el/2420-823x/2021/08/002","DOIUrl":null,"url":null,"abstract":"Kafka’s The Metamorphosis (1915), with Gregor Samsa’s transformation “into a gigantic insect”, forms an insightful comparative reading to the opening of Wallace’s Infinite Jest (1996), including Hal Incandenza’s seeming, unexplained catatonia. Wallace described Kafka’s fiction as conducting a “radical literalization of truths we tend to treat as metaphorical”. In comparing Kafka’s novella and Infinite Jest, the question ‘what has happened to Hal?’ thus means: what metaphor is literalized by Hal’s situation? In both texts, the metaphors represent selfhood and writing fiction; but, contrary to Gregor, Hal has taken up the task of self-becoming and symbolizes literary disclosure and communication – rendering Infinite Jest as a redemptive novel.","PeriodicalId":20712,"journal":{"name":"Proceedings of the First International Conference on Combinatorial and Optimization, ICCAP 2021, December 7-8 2021, Chennai, India","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“I Am in Here”: A Comparative Reading of David Foster Wallace’s Infinite Jest and Franz Kafka’s The Metamorphosis\",\"authors\":\"A. den Dulk\",\"doi\":\"10.30687/el/2420-823x/2021/08/002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Kafka’s The Metamorphosis (1915), with Gregor Samsa’s transformation “into a gigantic insect”, forms an insightful comparative reading to the opening of Wallace’s Infinite Jest (1996), including Hal Incandenza’s seeming, unexplained catatonia. Wallace described Kafka’s fiction as conducting a “radical literalization of truths we tend to treat as metaphorical”. In comparing Kafka’s novella and Infinite Jest, the question ‘what has happened to Hal?’ thus means: what metaphor is literalized by Hal’s situation? In both texts, the metaphors represent selfhood and writing fiction; but, contrary to Gregor, Hal has taken up the task of self-becoming and symbolizes literary disclosure and communication – rendering Infinite Jest as a redemptive novel.\",\"PeriodicalId\":20712,\"journal\":{\"name\":\"Proceedings of the First International Conference on Combinatorial and Optimization, ICCAP 2021, December 7-8 2021, Chennai, India\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the First International Conference on Combinatorial and Optimization, ICCAP 2021, December 7-8 2021, Chennai, India\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/el/2420-823x/2021/08/002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the First International Conference on Combinatorial and Optimization, ICCAP 2021, December 7-8 2021, Chennai, India","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/el/2420-823x/2021/08/002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“I Am in Here”: A Comparative Reading of David Foster Wallace’s Infinite Jest and Franz Kafka’s The Metamorphosis
Kafka’s The Metamorphosis (1915), with Gregor Samsa’s transformation “into a gigantic insect”, forms an insightful comparative reading to the opening of Wallace’s Infinite Jest (1996), including Hal Incandenza’s seeming, unexplained catatonia. Wallace described Kafka’s fiction as conducting a “radical literalization of truths we tend to treat as metaphorical”. In comparing Kafka’s novella and Infinite Jest, the question ‘what has happened to Hal?’ thus means: what metaphor is literalized by Hal’s situation? In both texts, the metaphors represent selfhood and writing fiction; but, contrary to Gregor, Hal has taken up the task of self-becoming and symbolizes literary disclosure and communication – rendering Infinite Jest as a redemptive novel.