张继庆《赤梦翠诗》讲稿译介&以昆曲百曲《大石说》为例

Q2 Arts and Humanities

CHINOPERL: Journal of Chinese Oral and Performing Literature Pub Date : 2016-07-02 DOI:10.1080/01937774.2016.1242837

Josh Stenberg

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引用次数: 0

摘要

这张带注释的翻译课的青張繼青(1938 -)她是如何执行的角色Cui-shi崔氏在zhezi xi折子戲Chimeng痴夢(疯狂的梦想)旨在呼吁关注一个新的资源在昆曲崑曲研究和欣赏昆曲baizhong,鱼汤shuoxi崑曲百種,大師說戲(一百块昆曲,主演员谈论他们的场景),以下称为鱼汤shuoxi。这个项目是由私人而不是政府资助的，邀请了29位昆曲大师分别就他们所扮演的主要角色进行讲座

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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An Annotated Translation of Zhang Jiqing's Lecture on Playing Cui-shi in Chimeng (The Mad Dream): A Sample Lecture from Kunqu baizhong, Dashi shuoxi (ONE HUNDRED PIECES OF Kunqu, Master Performers Talk About Their Scenes)

This annotated translation of a lecture by Zhang Jiqing 張繼青 (1938–) on how she performs the role of Cui-shi 崔氏 in the zhezi xi 折子戲 Chimeng 痴夢 (The mad dream) is intended to call attention to a new resource in Kunqu 崑曲 research and appreciation, Kunqu baizhong, Dashi shuoxi 崑曲百種, 大師說戲 (One hundred pieces of Kunqu, Master performers talk about their scenes), hereafter referred to as Dashi shuoxi. Funded by private rather than government money, this project invited 29 Kunqu masters to give separate lectures on the leading roles that they

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来源期刊

CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.