东非小说中的监禁与酷刑

Q3 Arts and Humanities
Matatu Pub Date : 2018-06-14 DOI:10.1163/18757421-05001003
A. Gagiano
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引用次数: 0

摘要

这篇文章评估了三部小说中对未经审判的监禁和囚犯酷刑的描述,这些小说描绘了严重镇压、凶残的政权——黑斯廷斯·班达统治下的马拉维,德格统治下的埃塞俄比亚,以及殖民和连续的后殖民统治者统治下的肯尼亚。在凯拉1974年的《被拘留者》中,讲述了一个naïve,一个不关心政治的村民被不公正的拘留,突出了通过奴才无限制地滥用权力,并逐渐揭露了暴行。《在狮子的注视下》(Mengiste 2010)描绘了几个发自内心的、骇人听闻的酷刑场景,作为一种恐吓手段。《尘埃》(Dust, 2014)中,作为压制反对派的政治工具,对囚犯施加痛苦的场景较少,但却令人痛心。这三个文本都确立了它们的重要性,作为对未被报道的政权的档案评估,非洲文学艺术作品,以及对不应有的痛苦的道德上负责任的呼唤,与当地和国际读者有效沟通。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Incarceration and Torture in Eastern African Fiction
This article assesses representations of imprisonment without trial and inmates’ torture in three novels depicting severely repressive, murderous regimes—Malawi’s under Hastings Banda, Ethiopia’s under the Derg, and Kenya’s under colonial and successive post-colonial rulers. In The Detainee (Kayira 1974), the narrative of a naïve, apolitical villager’s unjust detention highlights unrestrained power abuse through minions and gradually uncovers atrocities. Under the Lion’s Gaze (Mengiste 2010) depicts several visceral, appalling scenes of torture as a technique of intimidation. Dust (Owuor 2014) has fewer, but harrowingly intense scenes of pain infliction on prisoners as a political tool to silence opposition. All three texts establish their importance as archival evaluations of under-reported regimes, African literary artworks, and morally responsible evocations of undeserved suffering, communicating effectively with both local and international readerships.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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