《巨著的两条道路:奥尔加·托卡丘克的转变之声

Katarzyna Bartoszyńska
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引用次数: 0

摘要

本文通过阅读Olga Tokarczuk的两部小说Bieguni(《航班》)和Księgi Jakubowe(《雅各书》),论证了自由间接话语在第三人称叙事视角下作为一种集体声音的力量,包含了多种视角。两部小说都探讨了在提供世界形象的过程中所面临的挑战,并在内容层面上进行了各种干预,每一部小说都考察了不同叙事方式所能产生的世界形象。在《飞行》中,叙述者努力获得对世界更广泛、更综合的认识,同时也努力超越第一人称的视角,获得更广阔的视角。小说巧妙地展示了这种努力的不可能性,但是,文章认为,《雅各书》继续了这个项目,尽管是从相反的方向,检查了第三人称声音的支持。它对自由间接话语的创新使用产生了一种观点,虽然看起来是单一的声音,但却包含了多个相互矛盾的观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two Paths for the Big Book: Olga Tokarczuk's Shifting Voice
This essay argues for the power of free indirect discourse in the third-person narrative perspective to serve as a collective voice, encompassing a diversity of perspectives, through a reading of two novels by Olga Tokarczuk, Bieguni (Flights) and Księgi Jakubowe (Books of Jacob). Both novels investigate the challenges inherent in the project of providing an image of the world, and alongside various interventions on the level of content, each examines the kind of world-image that different approaches to narrative voice can produce. In Flights, the narrator's striving to arrive at a more expansive and synthetic knowledge of the world is accompanied by an effort to go beyond the first-person voice, to a broader perspective. The novel subtly demonstrates the impossibility of such efforts, but, the essay argues, Books of Jacob continues this project, albeit from the opposite direction, examining the affordances of the third-person voice. Its innovative use of free indirect discourse produces a perspective that, while appearing to be a single voice, contains multiple, contradictory points of view.
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