卡罗琳·福勒的《黑人艺术与黑人美学与公共书目

Howard Rambsy
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引用次数: 1

摘要

1976年,亚特兰大大学黑人文学副教授卡罗琳·福勒(Carolyn Fowler)开始分发一份油印书目,该书目由800个条目组成,重点关注各种非裔美国人艺术。福勒在加州大学伯克利分校获得法语学士和硕士学位,并于1972年在宾夕法尼亚大学获得罗曼语博士学位。她是法国文学和海地作家雅克·鲁曼的专家。然而,她被引用最多的作品是她在黑人艺术时代的文章《黑人作家和他的角色》(发表时她还叫卡罗琳·f·杰拉尔德),1969年首次出现在《黑人文摘》上,然后在小艾迪生·盖尔的里程碑式的编辑集《黑人美学》(1971)中转载。黑人艺术运动的兴起和她的文章的流行可能导致福勒将黑人艺术和黑人美学添加到她的研究议程中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography
I 1976, Carolyn Fowler, Associate Professor of Black Literature at Atlanta University, began circulating mimeograph copies of an enumerative bibliography consisting of eight hundred entries focusing on a variety of African American arts. Fowler earned her BA and MA in French at UCLA Berkeley and her PhD in Romance Languages at the University of Pennsylvania in 1972. She was a specialist in French literature and the Haitian writer Jacques Roumain. Still, her most cited composition was her Black Arts era article, “The Black Writer and His Role” (published when she was known as Carolyn F. Gerald), appearing first inNegro Digest in 1969 and then reprinted in Addison Gayle Jr.’s landmark edited collection, The Black Aesthetic (1971). The rise of the Black Arts Movement and the popularity of her article likely led Fowler to add Black Arts and Black Aesthetics to her research agenda moving forward.
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