Trianita Anugerah Setiawan, W. S. Abioso
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引用次数: 0

摘要

本研究提出了Majapahit大殿(Mojokerto,东爪哇)和Mataram Pura Mangkunegaran大殿(Solo,中爪哇)建筑的比较。哲学的另一种方式。两者都是历史建筑,与马塔兰王国和玛贾巴希特王国的历史直接相关,总的来说,由于印度教-佛教的旅程,两个王国仍然相互联系。在Pendopo Agung的内部有几个古代装饰品,具有审美功能和象征意义。本研究旨在分析大礼堂装饰的形式比较、审美和象征功能。使用的方法是描述性方法。数据收集方法为观察和文献。Pendopo Agung建筑的出现是一项代代相传的工作,在技术和宗教方面都遵循与爪哇标准相关的预先确定的标准规则。本研究的结论是增加洞察力,在同一建筑上的每个装饰都有一种向人们传达不同含义的方式,这些差异后来可以用作大Majapahit和Mataram大厅每个建筑的兴趣点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analysis of the Building Ornaments of the Pendopo Agung of Majapahit (Mojokerto, East Java) and Mataram (Pura Mangkunegaran Solo, Central Java)
This study raises the comparison of the building of the Great Hall of Majapahit (Mojokerto, East Java) and the Great Hall of Mataram Pura Mangkunegaran (Solo, Central Java). philosophy in a different way. Both are historical buildings that are directly related to the history of the Mataram Kingdom and the Majapahit Kingdom, which in general, the two kingdoms still have ties to one another due to the journey of the Hindu-Buddhist religion. Inside the interior of the Pendopo Agung there are several ancient ornaments which have an aesthetic function and symbolic meaning. This study aims to analyze the comparison of forms and aesthetic and symbolic functions of the ornaments of the Great Hall. The method used is descriptive method. Data collection was obtained from observation and literature. The emergence of the Pendopo Agung building is a work created from generation to generation, guided by predetermined standard rules both technically and religiously which are interrelated to the Javanese standard. The conclusion of this study is to add insight that in each ornament on the same building has a way of conveying different meanings to the people, these differences can later be used as points of interest for each building of the Great Majapahit and Mataram Halls.
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