幽默的批斗会17日的维也纳热舞剧场和18 .世纪

IF 0.2 3区文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN

DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR Pub Date : 2016-09-01 DOI:10.1163/18796583-04403006

A. Keck

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引用次数: 0

摘要

在17世纪和18世纪，在德语国家的巡回剧院的戏剧中，“汉斯赫斯特”是最突出的傻瓜。下面这篇文章主要介绍维也纳及其戏剧文化。它把这个特殊的傻瓜的戏剧功能设想为一种巧妙的干预，为文化和审美的谈判开辟了一个空间。作者认为，这个“游乐场”构成了一种大众娱乐文化，矛盾的是，这种文化在其恢复的那一刻就结束了。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Komische Interventionen: Der Hanswurst und das Wiener Spaßtheater des 17. und 18. Jahrhunderts

During the 17th and 18th century the ‘Hanswurst’ figures as the most prominent fool in plays of travelling theatres in German speaking countries. The following article concentrates on Vienna and its theatrical culture. It conceives the dramatic function of this special fool as an artful intervention that opens up a space of/for cultural and aesthetic negotiations. The author will argue that this ‘playground’ constitutes a culture of popular entertainment, which paradoxically ends at the moment of its instauration.

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来源期刊

DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Der "Daphnis" ist als Organ für die Erforschung der deutschen und neulateinischen Literatur vom Ausgang des 14. Jahrhunderts bis zur Mitte des 18. Jahrhunderts konzipiert worden. Er berücksichtigt darüber hinaus unter komparatistischem Aspekt auch die Beziehungen der Mittleren Deutschen Literatur zu den europäischen Literaturen dieses Zeitraums und widmet sich Problemen der frühneuhochdeutschen und neulateinischen Sprache.