{"title":"人群中的一张脸(1957):历史与相关性,从电视的黎明到数字时代","authors":"Chris Yogerst","doi":"10.1080/01956051.2020.1772710","DOIUrl":null,"url":null,"abstract":"Abstract: Over the years, critics and historians have come back to Elia Kazan’s A Face in the Crowd periodically and with varying enthusiasm. This essay will show how the film’s influence of real-world media manipulators has increased its power and has renewed relevance in the digital era.","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"31 1","pages":"16 - 29"},"PeriodicalIF":0.5000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Face in the Crowd (1957): History and Relevancy, from the Dawn of Television to the Digital Age\",\"authors\":\"Chris Yogerst\",\"doi\":\"10.1080/01956051.2020.1772710\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: Over the years, critics and historians have come back to Elia Kazan’s A Face in the Crowd periodically and with varying enthusiasm. This essay will show how the film’s influence of real-world media manipulators has increased its power and has renewed relevance in the digital era.\",\"PeriodicalId\":44169,\"journal\":{\"name\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"volume\":\"31 1\",\"pages\":\"16 - 29\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01956051.2020.1772710\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2020.1772710","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
A Face in the Crowd (1957): History and Relevancy, from the Dawn of Television to the Digital Age
Abstract: Over the years, critics and historians have come back to Elia Kazan’s A Face in the Crowd periodically and with varying enthusiasm. This essay will show how the film’s influence of real-world media manipulators has increased its power and has renewed relevance in the digital era.
期刊介绍:
How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.