以色列电影中的法律与煽动:从伊扎克·拉宾遇刺到山顶运动

IF 0.1 0 FILM, RADIO, TELEVISION
M. Simoni
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引用次数: 1

摘要

摘要:本文分析了多部以色列电影和纪录片,尤其是阿莫斯·吉塔伊(Amos Gitai, 2015)的《拉宾的最后一天》,以探讨20世纪90年代中期以色列的政治骚乱。这一时期最显著的特点是伊扎克·拉宾总理被暗杀,而且还造成了使暗杀成为可能的政治气氛,并最终帮助拖延了和平进程。我讨论了虚构的电影(比纪录片更好)在多大程度上可以帮助历史学家阐明一个特定的历史时期,当第一手资料要么无法获得,要么只有部分可用,以及第一手资料和历史上似是而非的虚构之间的关系。在这个框架中,我也考虑了电影如何帮助构建一种叙事,最终是一种集体记忆,为官方的叙事提供了一种选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Law and Sedition in Israeli Films: From the Assassination of Itzhak Rabin to the Hilltop Movement
ABSTRACT:In this article I analyze various Israeli films and documentaries, and in particular Rabin, the Last Day (Amos Gitai, 2015), to discuss political sedition in Israel in the mid-1990s. This period is characterized most prominently by the assassination of Prime Minister Itzhak Rabin, but also by the creation of the political climate that made the assassination possible, and which ultimately helped stall the peace process. I discuss to what extent fictional films (better than documentaries) can help the historian shed light on a particular historical period when primary sources are either unavailable or only partially available, and the relationship between primary sources and historically plausible fiction. In this framework I also consider how cinema can help construct a narrative, and ultimately a collective memory, that provides an alternative to the official one.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
0
期刊介绍: Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
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