{"title":"以色列电影中的法律与煽动:从伊扎克·拉宾遇刺到山顶运动","authors":"M. Simoni","doi":"10.13110/jewifilmnewmedi.6.2.0184","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In this article I analyze various Israeli films and documentaries, and in particular Rabin, the Last Day (Amos Gitai, 2015), to discuss political sedition in Israel in the mid-1990s. This period is characterized most prominently by the assassination of Prime Minister Itzhak Rabin, but also by the creation of the political climate that made the assassination possible, and which ultimately helped stall the peace process. I discuss to what extent fictional films (better than documentaries) can help the historian shed light on a particular historical period when primary sources are either unavailable or only partially available, and the relationship between primary sources and historically plausible fiction. In this framework I also consider how cinema can help construct a narrative, and ultimately a collective memory, that provides an alternative to the official one.","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"45 1","pages":"184 - 207"},"PeriodicalIF":0.1000,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Law and Sedition in Israeli Films: From the Assassination of Itzhak Rabin to the Hilltop Movement\",\"authors\":\"M. Simoni\",\"doi\":\"10.13110/jewifilmnewmedi.6.2.0184\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:In this article I analyze various Israeli films and documentaries, and in particular Rabin, the Last Day (Amos Gitai, 2015), to discuss political sedition in Israel in the mid-1990s. This period is characterized most prominently by the assassination of Prime Minister Itzhak Rabin, but also by the creation of the political climate that made the assassination possible, and which ultimately helped stall the peace process. I discuss to what extent fictional films (better than documentaries) can help the historian shed light on a particular historical period when primary sources are either unavailable or only partially available, and the relationship between primary sources and historically plausible fiction. In this framework I also consider how cinema can help construct a narrative, and ultimately a collective memory, that provides an alternative to the official one.\",\"PeriodicalId\":40351,\"journal\":{\"name\":\"Jewish Film & New Media-An International Journal\",\"volume\":\"45 1\",\"pages\":\"184 - 207\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-03-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Film & New Media-An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/jewifilmnewmedi.6.2.0184\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/jewifilmnewmedi.6.2.0184","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Law and Sedition in Israeli Films: From the Assassination of Itzhak Rabin to the Hilltop Movement
ABSTRACT:In this article I analyze various Israeli films and documentaries, and in particular Rabin, the Last Day (Amos Gitai, 2015), to discuss political sedition in Israel in the mid-1990s. This period is characterized most prominently by the assassination of Prime Minister Itzhak Rabin, but also by the creation of the political climate that made the assassination possible, and which ultimately helped stall the peace process. I discuss to what extent fictional films (better than documentaries) can help the historian shed light on a particular historical period when primary sources are either unavailable or only partially available, and the relationship between primary sources and historically plausible fiction. In this framework I also consider how cinema can help construct a narrative, and ultimately a collective memory, that provides an alternative to the official one.
期刊介绍:
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.