多恩的《媒介神学》

IF 0.2 2区 文学 0 LITERATURE
ELH Pub Date : 2021-12-04 DOI:10.1353/elh.2021.0033
Trina Hyun
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引用次数: 0

摘要

摘要:本文在约翰·吉洛里提出的媒介概念的文献史上增加了一章。约翰·多恩(John Donne)的诗歌和布道表明了他对媒介概念的强烈关注,因为它受到了早期现代光学创新的影响:玻璃、窗户、镜子和望远镜。这些技术不仅激发了多恩的文学想象力,也使他的上帝神学成为永恒的物质媒介。本文将多恩的唯物主义神学引入到媒体的历史和理论中,同时概述了一种与吉罗伊的世俗系谱项目截然不同的知识探究方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Donne's Media Theology
Abstract:This article adds a chapter to the philological history of the media concept, influentially set forth by John Guillory. John Donne's poetry and sermons demonstrate his intensive preoccupation with the idea of a medium as it is informed by early modern optical innovations: glass, windows, mirrors, the telescope. Such technologies not only fuel Donne's literary imagination, but also animate his theology of God as an eternally material medium. This article introduces Donne's materialist theology to the history and theory of media, while outlining a method of intellectual inquiry distinct from Guillory's secular project of genealogy altogether.
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来源期刊
ELH
ELH LITERATURE-
CiteScore
0.60
自引率
0.00%
发文量
30
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