被“我们是谁”和“我们渴望成为谁”吸引到银幕上:电影偏好中的品牌自我一致性差异

IF 0.8 Q3 COMMUNICATION
Danny D. E. Kim
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引用次数: 0

摘要

既有媒体偏好理论隐含地假设受众了解媒体产品的内容或效果。品牌可以填补这一逻辑空白,媒体创作者围绕其产品打造的品牌可以提供潜在内容或效果的线索。结合传播学和营销研究中关于自我一致性的平行理论,本研究以调查为基础,探讨了个人是否将电影产品品牌拟人化,使其具有个性,并更喜欢那些与自己个性平行的品牌。在此过程中,它还引入了一种新颖的“独立”一致性测量方法,即计算个体在评价自己时的个性与独立样本评价的电影品牌个性之间的一致性。配对t检验和混合ANCOVAs的结果表明,与之前未看过的电影个体相比,之前最可能观看的电影个体确实具有与自己更一致的个性,而在消费后评价方面,个人表示最喜欢的电影往往比他们表示最不喜欢的电影更不符合他们的个性。讨论了理论和实践的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Drawn to the Screen by Who We Are and Who We Aspire to Be: Brand-Self Congruence Differences in Movie Preferences
ABSTRACT Established media preference theories implicitly presume that audiences know a media product’s content or effects. Brands can fill this logical gap, with brands that media creators craft around their products providing cues about potential content or effects. Connecting parallel theories concerning self-congruence in communication and marketing research, this survey-based study examines whether individuals anthropomorphize movie product brands to have personalities and prefer those with personalities paralleling their own personality. In the process, it also introduces a novel “independent” congruence measure, where congruence is calculated between an individual’s personality as they rate themselves and a movie’s brand personality as rated by an independent sample. Results of paired t-tests and mixed ANCOVAs suggest that the previously unwatched movies individuals indicate being most likely to watch indeed have personalities more congruent to their own than do the previously unwatched movies individuals indicate being least likely to watch, while in terms of post-consumption evaluation, the movies that individuals indicated as their favorite tended to be less congruent with their personality than movies they indicated as their least favorite. Theoretical and practical ramifications are discussed.
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来源期刊
CiteScore
3.10
自引率
5.30%
发文量
12
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